LEADER 02447nam 22005652 450 001 9910477179703321 005 20170929033858.0 010 $a1-4744-2602-6 010 $a1-4744-2200-4 010 $a1-4744-0291-7 024 7 $a10.1515/9781474402910 035 $a(CKB)3710000000963246 035 $a(StDuBDS)EDZ0001740609 035 $a(UkCbUP)CR9781474402910 035 $a(ScCtBLL)04d3937b-9b67-4e31-9d6e-64ca209b6dab 035 $a(DE-B1597)615526 035 $a(DE-B1597)9781474402910 035 $a(OCoLC)1301548337 035 $a(EXLCZ)993710000000963246 100 $a20160930d2016|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aExtreme cinema $eaffective strategies in transnational media /$fAaron Michael Kerner and Jonathan L. Knapp$b[electronic resource] 210 1$aEdinburgh :$cEdinburgh University Press,$d2016. 215 $a1 online resource (179 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 29 Sep 2017). 311 $a1-4744-0290-9 320 $aIncludes bibliographical references, filmography and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $t1 Extreme Cinema: Revisiting Body Genres -- $t2 Hearing: With a Touch of Sound?The Affective Charge of Audio Design -- $t3 Pain: Exploring Bodies, Technology, and Endurance -- $t4 Laughter: Belly-aching Laughter -- $t5 Arousal: Graphic Encounters -- $t6 Crying: Dreadful Melodramas? Family Dramas and Home Invasions -- $t7 The End of Extreme Cinema? -- $tBibliography -- $tFilmography -- $tIndex 330 $aExtreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. 606 $aViolence in motion pictures 606 $aSex in motion pictures 606 $aMotion pictures$xHistory 608 $aHistory.$2fast 615 0$aViolence in motion pictures. 615 0$aSex in motion pictures. 615 0$aMotion pictures$xHistory. 676 $a791.43/655 686 $aAP 47950$2rvk 700 $aKerner$b Aaron$0959811 702 $aKnapp$b Jonathan L. 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910477179703321 996 $aExtreme cinema$92175265 997 $aUNINA