LEADER 01725nam 2200385 450 001 9910477121603321 005 20230219084012.0 035 $a(CKB)5470000000568726 035 $a(NjHacI)995470000000568726 035 $a(EXLCZ)995470000000568726 100 $a20230219h20201973 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 13$aAn Annotated Bibliography of Chinese Painting Catalogues and Related Texts /$fHin-cheung Lovell 210 1$aAnn Arbor, Michigan :$cUniversity of Michigan Press,$d2020. 210 4$d©1973 215 $a1 online resource (141 pages) 330 $aThe student of Chinese painting must from time to time consult John C. Ferguson's Li-tai chu-lu hua mu, an index to Chinese paintings recorded in Chinese catalogues. The catalogues in which the paintings are compiled are of equal interest: their compilers, the date of their compilation, their scope, their derivation, their merits and shortcomings, and so on.An Annotated Bibliography of Chinese Painting Catalogues and Related Texts provides a way for English-language students with limited knowledge of Chinese to find basic information on the catalogues in an easily available form. 606 $aSocial sciences 606 $aBibliographies 606 $aPainting 615 0$aSocial sciences. 615 0$aBibliographies. 615 0$aPainting. 676 $a300 700 $aLovel$b Hin-cheung$01279231 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910477121603321 996 $aAn Annotated Bibliography of Chinese Painting Catalogues and Related Texts$93014852 997 $aUNINA LEADER 05677nam 22007095 450 001 9910484347503321 005 20240322012556.0 010 $a9783030300814 010 $a3030300811 024 7 $a10.1007/978-3-030-30081-4 035 $a(CKB)5300000000003425 035 $a(MiAaPQ)EBC6129305 035 $a(DE-He213)978-3-030-30081-4 035 $a(Perlego)3480450 035 $a(EXLCZ)995300000000003425 100 $a20200303d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCinema of the Arab World $eContemporary Directions in Theory and Practice /$fedited by Terri Ginsberg, Chris Lippard 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (455 pages) 225 1 $aGlobal Cinema,$x2634-596X 311 08$a9783030300807 311 08$a3030300803 327 $a1. Introduction - Chris Lippard and Terri Ginsberg -- BLOC 1: HISTORY, POSITIONALITY, CRITIQUE -- 2. Documentary Diplomacy & Audiovisual Modernization: A Cold War Genealogy of Arab Cinema during the 1950s through American Declassified Archive - Hadi Gharabaghi -- 3. Making the Final Cut: Filmmaking and Complicating National Identity in Qatar and the GCC States - Suzi Mirgani -- 4. Lebanese Cinema and the French Co-production System: The Postcard Strategy - Wissam Mouawad -- BLOC 2: FESTIVAL AND NATION RECONSIDERED -- 5. Amateur Filmmaking in Tunisia: A Political Film Culture Eliding Contradictions in National Cinema - Patricia Caillé -- 6. "Not-Yet" an Industry: The Temporalities of Contemporary Palestinian Cinema - Viviane Saglier -- 7. Mobilities of Cinematic Identity in the Western Sahara - Chris Lippard -- BLOC 3: FROM RESISTANCE TO ENTRENCHMENT AND BACK AGAIN -- 8. Amiralay and Sabbagh in the Post-cinematic Age - Samirah Alkassim -- 9. Family Resemblance: An Anthropologist Looks at Moroccan Documentary - Kevin Dwyer -- 10. Affective Alternatives to Sectarianism in Maroun Baghdadi's Documentaries - Jeremy Randall -- BLOC 4: POLITICAL AESTHETICS OF STATE AND REVOLUTION IN EGYPT -- 11. Terrorism and Kebab: The Administrative Grotesque and the "Egyptian Chaplin"??Notes on Humor, Resistance, and Biopolitics - Isabelle Freda -- 12. Exceptions to the Rule: The Mechanics of War and the Institution in Egyptian Cinema - Iman Hamam -- 13. Teaching Egypt Cinematically -Terri Ginsberg. 330 $a"Ginsberg and Lippard have managed something rare: a riveting collection of essays with a consistently strong voice throughout. These chapters treat a diverse archive of films, filmmakers, and contexts with theoretical and historical depth and an urgency of interpretation, challenging the enormous gaps in our knowledge of Arab cinematic expression. Not only is this book indispensable for courses on Arab cinema, it will undoubtedly prompt new routes of inquiry for researchers, teachers, and viewers alike." - Peter Limbrick, University of California-Santa Cruz, USA "Cinema of the Arab World fills gaps in the literature and re-envisions the ways in which Arab cinema has been looked at previously. It succeeds by avoiding conforming to the stereotypical molds that guide some scholarship about the region. The mix of established scholars as well as young researchers, and the inclusion of different philosophical and critical theories and methodologies, make this book indispensable to anyone interested in understanding contemporary Arab cinema. Highly recommended." - Orayb Najjar, Northern Illinois University, USA This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. 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