LEADER 02462nam 2200421 450 001 9910476937303321 005 20230512190457.0 035 $a(CKB)5470000000566882 035 $a(NjHacI)995470000000566882 035 $a(EXLCZ)995470000000566882 100 $a20230512d2018 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAt the origins of Classical opera $eCarlo Goldoni and the "dramma giocoso per musica" /$fPervinca Rista 210 1$aBern, Switzerland :$cPeter Lang International Academic Publishers,$d2018. 215 $a1 online resource (167 pages) 311 $a3-0343-3551-2 327 $aThe other Goldoni -- The foundations of musical comedy -- New directions -- A new source for classical opera: Goldoni's drammi giocosi -- How comedy changed opera -- Goldoni's musical legacy. 330 $aVenetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a 'double life' as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W.A. Mozart and his Italian librettist Lorenzo da Ponte. Perhaps because of his stature and influence as a comic playwright, Goldoni has rarely been considered as an innovator in the musical sphere. This study aims to shed new light on his primary role in the evolution of Classical opera, and on the legacy of his innovations in the European musical tradition. 517 $aAt the origins of Classical opera 606 $aMusic 606 $aOpera 606 $aLibrettists 607 $aItaly$zVenice 615 0$aMusic. 615 0$aOpera. 615 0$aLibrettists. 676 $a782.10268092 700 $aRista$b Pervinca$01262121 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910476937303321 996 $aAt the origins of classical opera$92948594 997 $aUNINA