LEADER 04055oam 2200709 c 450 001 9910476934903321 005 20250802090638.0 010 $a9783839433553 010 $a383943355X 024 7 $a10.14361/9783839433553 035 $a(CKB)3850000000000589 035 $a(DE-B1597)466382 035 $a(OCoLC)979596922 035 $a(DE-B1597)9783839433553 035 $a(MiAaPQ)EBC5855180 035 $a(Au-PeEL)EBL5855180 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/27273 035 $a(ScCtBLL)fe43b3bc-a452-45f0-a5a9-395585b062d8 035 $a(Perlego)1527841 035 $a(transcript Verlag)9783839433553 035 $a(oapen)doab27273 035 $a(EXLCZ)993850000000000589 100 $a20250802d2017 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPerforming the Digital$ePerformativity and Performance Studies in Digital Cultures$fMartina Leeker, Imanuel Schipper, Timon Beyes 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2017 210 $aBielefeld$ctranscript Verlag$d2017 215 $a1 online resource 225 0 $aDigitale Gesellschaft$v11 327 $aFrontmatter 1 Contents 5 Performativity, performance studies and digital cultures 9 Performing (the) digital 21 Making digital choreographic objects interrelate 63 Speculation about 1:0 83 The noisy motions of instruments 101 Performing encryption 117 Mobile phone signals and protest crowds 137 Mapping invisibility 157 The big urban game, re-play and full city tags 171 From fla?neur to co-producer 191 Performing institutions 213 'The machine could swallow everything' 229 Performing the economy, digital media and crisis 247 Performance and democratizing digitality 279 Notes on contributors 297 330 $aHow is performativity shaped by digital technologies - and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organization and markets, and for the performativity of critique. With contributions by Marie-Luise Angerer, Timon Beyes, Scott deLahunta and Florian Jenett, Margarete Jahrmann, Susan Kozel, Ann-Christina Lange, Oliver Leistert, Martina Leeker, Jon McKenzie, Sigrid Merx, Melanie Mohren and Bernhard Herbordt, Imanuel Schipper and Jens Schro?ter. 330 1 $aťA valuable and impressive book for both its interdisciplinary coverage and the theoretical insights arising from its creative case studies.Ť Erin Sullivan, Theatre Research International, 43/1 (2018) 410 0$aDigitale Gesellschaft ;$v1 606 $aPerformance Studies; Culture; Digital Media; Performing Arts; Media Theory; Media; Body; Technology; Cultural Theory; Media Studies; 610 $aBody 610 $aCultural Theory 610 $aCulture 610 $aDigital Media 610 $aMedia 610 $aMedia and Communications 610 $aMedia Studies 610 $aMedia Theory 610 $aPerformance Studies 610 $aPerformativity 610 $aPerforming Arts 610 $aTechnology 615 4$aPerformance Studies; Culture; Digital Media; Performing Arts; Media Theory; Media; Body; Technology; Cultural Theory; Media Studies; 676 $a621.382 702 $aLeeker$b Martina$4edt 702 $aSchipper$b Imanuel$4edt 702 $aBeyes$b Timon$4edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910476934903321 996 $aPerforming the digital$91999884 997 $aUNINA