LEADER 03846oam 2200685 c 450 001 9910476934703321 005 20250802090638.0 010 $a9783839430064 010 $a3839430062 024 7 $a10.14361/9783839430064 035 $a(CKB)4340000000001001 035 $a(DE-B1597)452974 035 $a(OCoLC)1046610354 035 $a(DE-B1597)9783839430064 035 $a(MiAaPQ)EBC5085872 035 $a(Au-PeEL)EBL5085872 035 $a(ScCtBLL)07fd9df6-d3b0-4a34-974d-e7d253d448e4 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/38072 035 $a(Perlego)1463295 035 $a(transcript Verlag)9783839430064 035 $a(oapen)doab38072 035 $a(EXLCZ)994340000000001001 100 $a20250802d2018 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aGlobal Photographies$eMemory - History - Archives$fSissy Helff, Stefanie Michels 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2018 210 $aBielefeld$ctranscript Verlag$d2018 215 $a1 online resource 225 0 $aImage$v76 327 $aFrontmatter 1 Table of Contents 5 Preface 7 Re-framing Photography - Some Thoughts 9 African Photography in the Atlantic Visualscape 19 Elective Affinities? 39 How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes 57 Presentness, Memory and History: Thabiso Sekgala, "Homeland" 69 On the Circulation of Colonial Pictures 89 Portraits of Distant Worlds 109 Reflexions on the Photographic Archive in the Humanities 133 Re-imagining the Family Album through Literary Adaptation 155 Public Rites/Private Memories 177 Contributors 205 330 $aHow is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial, anthropological and family photography. The contributions sketch the contested field of global photography and trace the manifold intertwinements between historical and contemporary photographs. 330 1 $ağEin schmaler Band mit weit gespannten Ambitionen.Ğ Claudia Moisel, www.sehepunkte.de, 19/9 (2019) ğDer Sammelband [...] bietet einen ausgezeichneten U?berblick u?ber aktuelle Forschungen zu historischen Fotografien insbesondere aus und u?ber Afrika.Ğ Evelyn Runge, MEDIENwissenschaft, 2 (2019) Besprochen in: Mitteilungen der Berliner Gesellschaft fu?r Missionsgeschichte e.V., 69 (2020), Ulrich van der Heyden 410 0$aImage 606 $aHistory; Photography; Globalization; Memory; Archive; Colonialism; Postcolonialism; Cultural History; History of Colonialism; 610 $aArchive 610 $aColonialism 610 $aCultural History 610 $aGlobalization 610 $aHistory 610 $aHistory of Colonialism 610 $aMemory 610 $aPhotography 610 $aPostcolonialism 615 4$aHistory; Photography; Globalization; Memory; Archive; Colonialism; Postcolonialism; Cultural History; History of Colonialism; 676 $a940 686 $aAP 94200$2rvk 702 $aHelff$b Sissy$4edt 702 $aMichels$b Stefanie$4edt 712 02$aKnowledge Unlatched - KU Select 2017: Frontlist Collection$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910476934703321 996 $aGlobal Photographies$92246264 997 $aUNINA