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035   $a(OCoLC)1002016406
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035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/29759
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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aAt Face Value and Beyond $ePhotographic Constructions of Reality /$fMonika Schwärzler
205   $a1. Aufl.
210   $aBielefeld, Germany$ctranscript Verlag$d2016
210  1$aBielefeld :$ctranscript-Verlag,$d[2016]
210  4$d©2016
215   $a1 online resource
225 0 $aImage ;$v75
327   $tFrontmatter --$tAcknowledgment --$tInhalt --$tIntroductory Remarks --$tConscious and Semi-Conscious States of the Camera --$tDressed to Suffer and Redeem --$tBlocked View and Impeded Vision --$tUnedited Glamor --$tLost in Pleasure --$tDeath Can Wait --$t"The Beast" --$tDenigrative Views --$tThe White Handbag --$tReferences
330   $aHow to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value.
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606   $aVisual Literacy
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610   $aFine Arts.
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610   $aImagery.
610   $aMedia.
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610   $aVisual Literacy.
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615  4$aImagery.
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615  4$aVisual Culture.
615  4$aVisual Literacy.
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700   $aSchwärzler$b Monika$0891727
712 02$aKnowledge Unlatched - KU Select 2017: Backlist Collection$4fnd$4http://id.loc.gov/vocabulary/relators/fnd
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