LEADER 03899oam 2200757 c 450 001 9910476934603321 005 20250802090638.0 010 $a9783839429549 010 $a3839429544 024 7 $a10.14361/9783839429549 035 $a(CKB)4340000000001022 035 $a(DE-B1597)453201 035 $a(OCoLC)1013957864 035 $a(OCoLC)1049619215 035 $a(OCoLC)1054880423 035 $a(OCoLC)948804454 035 $a(DE-B1597)9783839429549 035 $a(MiAaPQ)EBC4940311 035 $a(Au-PeEL)EBL4940311 035 $a(CaPaEBR)ebr11427252 035 $a(OCoLC)1002016406 035 $a(ScCtBLL)b87408bb-4eea-4f0d-a218-6bca8666171e 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/29759 035 $a(Perlego)1796736 035 $a(transcript Verlag)9783839429549 035 $a(oapen)doab29759 035 $a(EXLCZ)994340000000001022 100 $a20250802d2016 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAt Face Value and Beyond$ePhotographic Constructions of Reality$fMonika Schwa?rzler 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2016 210 $aBielefeld$ctranscript Verlag$d2016 215 $a1 online resource 225 0 $aImage$v75 327 $aFrontmatter 1 Acknowledgment 7 Inhalt 8 Introductory Remarks 11 Conscious and Semi-Conscious States of the Camera 17 Dressed to Suffer and Redeem 33 Blocked View and Impeded Vision 55 Unedited Glamor 73 Lost in Pleasure 95 Death Can Wait 113 "The Beast" 137 Denigrative Views 151 The White Handbag 163 References 181 330 $aHow to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwa?rzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value. 330 1 $ağMonika Schwa?rzler [hat] aus dem divergenten Material eine analytisch stringente und zugleich gut lesbare Anleitung dafu?r geschaffen, wie man die einem ersten ?mu?den? Blick vertraut erscheinenden Bilder neu sehen kann: Media Literacy auf hohem Niveau.Ğ Michael Freund, Fotogeschichte, 143 (2017) Besprochen in: EIKON, 96 (2016) 410 0$aImage 606 $aPhotography; Visual Culture; Imagery; Visual Literacy; Media; Image; Visual Studies; Fine Arts; 610 $aArts 610 $aFine Arts 610 $aImage 610 $aImagery 610 $aLarge Hadron Collider 610 $aMedia 610 $aPhotography 610 $athema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies 610 $aThomas Struth 610 $aVisual Culture 610 $aVisual Literacy 610 $aVisual Studies 615 4$aPhotography; Visual Culture; Imagery; Visual Literacy; Media; Image; Visual Studies; Fine Arts; 676 $a300 700 $aSchwa?rzler$b Monika$4aut$0891727 712 02$aKnowledge Unlatched - KU Select 2017: Backlist Collection$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910476934603321 996 $aAt Face Value and Beyond$91991582 997 $aUNINA