LEADER 02356nam  2200601z- 450 
001 9910476928803321
005 20210210
035   $a(CKB)5470000000566927
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/33888
035   $a(Narr)9783772056987
035   $a(oapen)doab33888
035   $a(EXLCZ)995470000000566927
100   $a20202102d2020      |y         0
101 0 $aeng
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aThe Production of Lateness$eOld Age and Creativity in Contemporary Narrative
210   $aTu?bingen$cNarr Francke Attempto$d2020
215   $a1 online resource
225 1 $aSchweizer Anglistische Arbeiten / Swiss Studies in English
311 08$a3-7720-8698-5 
311 08$a3-7720-5698-9 
330   $aThis study examines how selected authors of the late 20th and early 21st centuries write about their creative processes in old age and thus purposefully produce a late style of their own. Late-life creativity has not always been viewed favourably. Prevalent "peak-and-decline" models suggest that artists, as they grow old, cease to produce highquality work. Aiming to counter such ageist discourses, the present study proposes a new ethics of reading literary texts by elderly authors. For this purpose, it develops a methodology that consolidates textual analysis with cultural gerontology.
517   $aProduction of Lateness 
606   $aLiterature: history and criticism$2bicssc
606   $aMusic$2bicssc
606   $aThe Arts: treatments and subjects$2bicssc
610   $aAutobiography
610   $aBeethoven
610   $aCreativity
610   $aCultural Gerontology
610   $aDeath
610   $aDementia
610   $aGender
610   $aJoan Didion
610   $aJohn Barth
610   $aKaren Blixen
610   $aLate Style
610   $aLiterature
610   $aMetafiction
610   $aNarrative
610   $aOld Age
610   $aTheodor Adorno
615  7$aLiterature: history and criticism
615  7$aMusic
615  7$aThe Arts: treatments and subjects
700   $aRivera Godoy-Benesch$b Rahel$4auth$01278273
906   $aBOOK
912   $a9910476928803321
996   $aThe Production of Lateness$93013002
997   $aUNINA