LEADER 04326oam 2200865 c 450 001 9910476920403321 005 20260102090118.0 010 $a9783839440919 010 $a3839440912 024 7 $a10.14361/9783839440919 035 $a(CKB)3800000000419811 035 $a(MiAaPQ)EBC5216903 035 $a(DE-B1597)489131 035 $a(OCoLC)1024023105 035 $a(DE-B1597)9783839440919 035 $a(MiAaPQ)EBC6695131 035 $a(Au-PeEL)EBL6695131 035 $a(OCoLC)1020026370 035 $a(ScCtBLL)a43b8808-11aa-4813-9ce5-c1c350b2b5b8 035 $a(transcript Verlag)9783839440919 035 $a(Perlego)1796800 035 $a(oapen)doab68251 035 $a(EXLCZ)993800000000419811 100 $a20260102d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aDigital Media and Textuality$eFrom Creation to Archiving$fDaniela Côrtes Maduro 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2017 215 $a1 online resource (285 pages) $cillustrations, photographs 225 0 $aMedienumbrüche 311 08$a9783837640915 311 08$a3837640914 320 $aIncludes bibliographical references at the end of each chapters. 327 $aFrontmatter 1 Contents 7 Preface 9 Rhapsodic Textualities 15 Passing the Calvino Test? Writing Machines and Literary Ghosts 23 Writing Through Contemporary Self-Translation A Constructive Technogenetic Intervention 47 Pwning Gamers, One Text at a Time 57 Character: A Concept That Does Not Stand Still 75 Shelley Jackson's Grotesque Corpus Notes on my bodya Wunderkammer 87 Choice and Disbelief: Revisiting Immersion and Interactivity 107 Creative Process: Interweaving Methods, Content and Technology 133 Distilling the Elements of "Networked Narratives" with Digital Alchemy 151 The Creative Process as a "Dance of Agency" Shelley Jackson's Snow: Performing Literary Text with Elements 169 Narrative Across Media: Trans-Stories In-Betweeness 187 Face, a Keyword Story The Archiving Vocabulary for Facial Expression in the German Imaginary from Printed Text to Digital Image 207 Curating "Shapeshifting Texts" 253 Postscript Loosely Connected Only to What it's Coming After 271 Contributors 279 330 $aDue to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obsolescence? And how can digital media be used or taught inside classrooms?These and other questions are addressed in this volume that assembles contributions by artists, writers, scholars and editors such as Dene Grigar, Sandy Baldwin, Carlos Reis, and Frieder Nake. They offer a multiperspectival view on the way digital media have changed our notion of textuality. 410 0$aMedienumbru?che ;$vVolume 45. 517 2 $aMaduro (ed.), Digital Media and Textuality$eFrom Creation to Archiving 606 $aMedia 606 $aTextuality 606 $aElectronic Literature 606 $aCognition 606 $aMateriality 606 $aAesthetics 606 $aLiterature 606 $aDigital Media 606 $aMedia Aesthetics 606 $aTheory of Literature 606 $aMedia Education 606 $aMedia Studies 615 4$aMedia 615 4$aTextuality 615 4$aElectronic Literature 615 4$aCognition 615 4$aMateriality 615 4$aAesthetics 615 4$aLiterature 615 4$aDigital Media 615 4$aMedia Aesthetics 615 4$aTheory of Literature 615 4$aMedia Education 615 4$aMedia Studies 676 $a006.7 702 $aCôrtes Maduro$b Daniela$p

Daniela Côrtes Maduro, University of Bremen, Deutschland

$4edt 712 02$aKnowledge Unlatched - KU Select 2020: Backlist Collection$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910476920403321 996 $aDigital Media and Textuality$92079820 997 $aUNINA