LEADER 02338nam 2200361 450 001 9910476888403321 005 20230516075858.0 035 $a(CKB)5470000000567073 035 $a(NjHacI)995470000000567073 035 $a(EXLCZ)995470000000567073 100 $a20230516d2018 uy 0 101 0 $aita 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMozart's 'La clemenza di Tito' $eA Reappraisal /$fMagnus Tessing Schneider, Ruth Tatlow, editors 210 1$aStockholm, Sweden :$cStockholm University Press,$d2018. 215 $a1 online resource (xvi, 176 pages) 311 $a91-7635-054-1 330 $a"In the two centuries since Mozart's La clemenza di Tito was first performed, and the almost three centuries since Metastasio created the libretto, many rumours, myths and prejudiced opinions have gathered around the work, creating a narrative that Mozart, Mazzola? and their contemporaries would scarcely recognise. The essays in this book contribute ideas, facts and images that will draw the twenty-first-century reader closer to the events of Central Europe in the late eighteenth century, and these new facts and ideas will help peel off some of the transmitted accretions that may hinder a modern listener from enjoying and understanding the opera in all its fullness. In this sense the essays present the reappraisal promised in the title. The book is a product of the Performing Premodernity research project, funded by the Swedish Foundation for Humanities and Social Sciences and based at the department of theatre studies of Stockholm University. Envisioned and edited by Magnus Tessing Schneider and Ruth Tatlow, the five essays by internationally renowned Mozart scholars are preceded by a chronology and a selection of original documents presented in new and revised parallel translations"--Publication home page. 517 $aMozart's 'La clemenza di Tito' 606 $aMusic$y21st century$xHistory and criticism 615 0$aMusic$xHistory and criticism. 676 $a780.905 702 $aTatlow$b Ruth 702 $aSchneider$b Magnus Tessing 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910476888403321 996 $aMozart's 'La clemenza di Tito$93364635 997 $aUNINA