LEADER 02143nam  2200337   450 
001 9910476888203321
005 20230516080738.0
035   $a(CKB)5470000000567075
035   $a(NjHacI)995470000000567075
035   $a(EXLCZ)995470000000567075
100   $a20230516d2017      uy             0
101 0 $aswe
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aPerformativitet$h1$iTeoretiska tilla?mpningar i konstvetenskap /$fStockholm University Press
210  1$aStockholm :$cStockholm University Press,$d2017.
215   $a1 online resource (138 pages)
311   $a91-7635-046-0 
330   $a"What does performativity signify? And what does it mean to speak of something as being performative? Aiming to clarify and critically highlight an important but sometimes elusive concept, this book consists of five chapters, each addressing a concrete situation of interpretation. By highlighting artworks and images from different historical periods and contexts, the authors show how performativity might be a versatile and useful concept for interpretations of images. The purpose is to convey the critical potential of the concept as it is activated in relation to different objects of study. The book is primarily addressed to students of art history and others who take an interest in questions of visuality and visual practices. Offering not only a theoretical understanding of the concept, it strives to point out ways and possibilities of the practical use of performativity. This book constitutes the first volume of Theoretical Applications in Art History, which forms part of the series Basic Readings in Culture and Aesthetics. Its editors, Malin Hedlin Hayden and Ma?rten Snickare, are professors of art history at the Department of Culture and Aesthetics, Stockholm University.
517   $aPerformativitet 
606   $aPerforming arts
615  0$aPerforming arts.
676   $a791
801  0$bNjHacI
801  1$bNjHacl
906   $aBOOK
912   $a9910476888203321
996   $aPerformativitet$92948565
997   $aUNINA