LEADER 01069cam0-2200361---450 001 990005617630403321 005 20230302103119.0 035 $a000561763 035 $aFED01000561763 035 $a(Aleph)000561763FED01 035 $a000561763 100 $a19990604d1961----km-y0itay50------ba 101 1 $aita$cfre 102 $aIT 105 $aa-------00--- 200 1 $aLouvre Parigi$fdi Maxmilian Gauthier$gtraduzione a cura di Rita Poletti 210 $aNovara$cIstituto geografico De Agostini$dc1961 215 $a3 v.$d28 cm 225 1 $aMusei e monumenti d'Europa 676 $a708.4$v21$zita 702 1$aGauthier,$bMaxmilian 702 1$aPoletti,$bRita 710 01$aMusée du Louvre$c$0397883 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005617630403321 952 $aART.VI B 217/2$b5467$fFARBC 952 $aST.AR. V B 20 (I-III)$bST.ARTE S.I.$fFLFBC 952 $a708/C DEAG 15 (1)$bST.ARTE 5604, 5633$fFLFBC 959 $aFLFBC 959 $aFARBC 996 $aLouvre Parigi$9603528 997 $aUNINA LEADER 02143nam 2200337 450 001 9910476888203321 005 20230516080738.0 035 $a(CKB)5470000000567075 035 $a(NjHacI)995470000000567075 035 $a(EXLCZ)995470000000567075 100 $a20230516d2017 uy 0 101 0 $aswe 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPerformativitet$h1$iTeoretiska tilla?mpningar i konstvetenskap /$fStockholm University Press 210 1$aStockholm :$cStockholm University Press,$d2017. 215 $a1 online resource (138 pages) 311 $a91-7635-046-0 330 $a"What does performativity signify? And what does it mean to speak of something as being performative? Aiming to clarify and critically highlight an important but sometimes elusive concept, this book consists of five chapters, each addressing a concrete situation of interpretation. By highlighting artworks and images from different historical periods and contexts, the authors show how performativity might be a versatile and useful concept for interpretations of images. The purpose is to convey the critical potential of the concept as it is activated in relation to different objects of study. The book is primarily addressed to students of art history and others who take an interest in questions of visuality and visual practices. Offering not only a theoretical understanding of the concept, it strives to point out ways and possibilities of the practical use of performativity. This book constitutes the first volume of Theoretical Applications in Art History, which forms part of the series Basic Readings in Culture and Aesthetics. Its editors, Malin Hedlin Hayden and Ma?rten Snickare, are professors of art history at the Department of Culture and Aesthetics, Stockholm University. 517 $aPerformativitet 606 $aPerforming arts 615 0$aPerforming arts. 676 $a791 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910476888203321 996 $aPerformativitet$92948565 997 $aUNINA