LEADER 02719nam 2200361 450 001 9910476886003321 005 20230326163910.0 035 $a(CKB)5470000000567097 035 $a(NjHacI)995470000000567097 035 $a(EXLCZ)995470000000567097 100 $a20230326d2020 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRealist Cinema as World Cinema $enon-cinema, intermedial passages, total cinema /$fLu?cia Nagib 210 1$aAmsterdam :$cAmsterdam University Press,$d2020. 215 $a1 online resource (301 pages) 311 $a94-6298-751-3 327 $aList of Illustrations Acknowledgements Introduction Part I Non-cinema 1 The Death of (a) Cinema: The State of Things 2 Jafar Panahi's Forbidden Tetralogy: This Is Not a Film, Closed Curtain, Taxi Tehran, Three Faces 3 Film as Death: The Act of Killing 4 The Blind Spot of History: Colonialism in Tabu Part II Intermedial Passages 5 The Geidomono Genre and Intermedial Acting in Ozu and Mizoguchi 6 Intermedial History-Telling: Mysteries of Lisbon 7 Passages to Reality: The Case of Brazilian Cinema Part III Towards Total Cinema 8 The Reality of Art: Ossessione 9 Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2 10 Total Cinema as Mode of Production Bibliography Index. 330 $a"This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin."--Back cover. 517 $aRealist Cinema as World Cinema 606 $aRealism in motion pictures 615 0$aRealism in motion pictures. 676 $a791.43612 700 $aNagib$b Lu?cia$0910613 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910476886003321 996 $aRealist cinema as world cinema$92037991 997 $aUNINA LEADER 01704nam0 2200409 i 450 001 VAN0103346 005 20230523090306.726 017 70$2N$a978-3-319-04675-4 100 $a20151103d2014 |0itac50 ba 101 $aeng 102 $aCH 105 $a|||| ||||| 200 1 $aGeometry and its applications$fVladimir Rovenski, Pawel Walczak editors 210 $aCham$cSpringer$d2014 215 $aX, 243 p.$cill.$d24 cm 410 1$1001VAN0102574$12001 $aSpringer proceedings in mathematics & statistics$1210 $aBerlin [etc.]$cSpringer$v72 500 1$3VAN0240727$aGeometry and its applications$91410239 606 $a53-XX$xDifferential geometry [MSC 2020]$3VANC019813$2MF 606 $a53Cxx$xGlobal differential geometry [MSC 2020]$3VANC024095$2MF 610 $aGaussian mean curavture flow$9KW:K 610 $aMulti-order parabolic systems$9KW:K 610 $aOsculation$9KW:K 610 $aRemez-type inequality$9KW:K 610 $aRicci flow$9KW:K 610 $aWallach spaces$9KW:K 620 $aCH$dCham$3VANL001889 702 1$aRovenskii$bVladimir Y.$3VANV038654 702 1$aWalczak$bPawel G.$3VANV080640 712 $aSpringer $3VANV108073$4650 801 $aIT$bSOL$c20240614$gRICA 856 4 $uhttp://dx.doi.org/10.1007/978-3-319-04675-4$zE-book ? Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o Shibboleth 899 $aBIBLIOTECA CENTRO DI SERVIZIO SBA$2VAN15 912 $fN 912 $aVAN0103346 950 $aBIBLIOTECA CENTRO DI SERVIZIO SBA$d15CONS SBA EBOOK 4698 $e15EB 4698 20191107 996 $aGeometry and its applications$91410239 997 $aUNICAMPANIA