LEADER 03060oam 22005894a 450 001 9910456131403321 005 20210108100353.0 010 $a1-58729-268-8 035 $a(CKB)111056486861650 035 $a(EBL)837026 035 $a(OCoLC)50413374 035 $a(SSID)ssj0000123051 035 $a(PQKBManifestationID)11152348 035 $a(PQKBTitleCode)TC0000123051 035 $a(PQKBWorkID)10132065 035 $a(PQKB)10724053 035 $a(MdBmJHUP)muse12534 035 $a(MiAaPQ)EBC837026 035 $a(EXLCZ)99111056486861650 100 $a19980722d1999 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aClassical Greek Theatre$b[electronic resource] $eNew Views of an Old Subject /$fClifford Ashby 210 $aIowa City, Iowa $cUniversity of Iowa Press$dc1999 215 $a1 online resource (217 p.) 225 1 $aStudies Theatre Hist & Culture 300 $aDescription based upon print version of record. 311 $a0-87745-641-0 320 $aIncludes bibliographical references (p. [181]-186) and index. 327 $aContents; Acknowledgments; Preface; 1. The Limits of Evidence I: The Writings; 2. The Limits of Evidence II: Physical Remains; 3. The Shape of the Orchestra: A History and Critique; 4. Where Was the Altar?; 5. The Scene House: The Dithyramb, Found Space, and the "Royal" Door; 6. Stage Machinery; 7. The Orientation of Greek Theatres; 8. Dawn Performances: Three Days in a Row?; 9. Ramifications of the Three-Actor Rule; 10. Validation by Authority: Margarete Bieber's Comparisons of Hellenistic and Roman Theatres; 11. Validation by Repetition: The Menander Reliefs 327 $a12. Validation (and Discovery) by Experiment: Producing a Three-Actor IonBibliography; Index 330 $aMany dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views.Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disc 410 0$aStudies Theatre Hist & Culture 606 $aTheater$zGreece$xHistory$yTo 500 606 $aTheaters$zGreece$xHistory$yTo 1500 606 $aTheater$xProduction and direction$zGreece$xHistory$yTo 1500 608 $aElectronic books. 615 0$aTheater$xHistory 615 0$aTheaters$xHistory 615 0$aTheater$xProduction and direction$xHistory 676 $a792.0938 676 $a792/.0938 700 $aAshby$b Clifford$0688949 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910456131403321 996 $aClassical Greek theatre$91234647 997 $aUNINA LEADER 02609nam 2200397 450 001 9910476815203321 005 20230508103337.0 035 $a(CKB)5470000000566404 035 $a(NjHacI)995470000000566404 035 $a(EXLCZ)995470000000566404 100 $a20230508d2006 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aStudies in Jaina History and Culture $eDisputes and dialogues /$fEdited by Peter Flu?gel 210 1$a[Place of publication not identified] :$cTaylor & Francis,$d2006. 210 4$dİ2006 215 $a1 online resource (496 pages) 225 1 $aRoutledge advances in Jaina studies 311 $a1-134-23547-X 320 $aIncludes bibliographical references and index. 327 $apt. 1. Orthodoxy and heresy -- pt. 2. The question of omniscience and Jaina logic -- pt. 3. Role models for women and female identity -- pt. 4. Sectarian movements -- pt. 5. Property, law, and ethics. 330 $aThe last ten years have seen interest in Jainism increasing, with this previously little-known Indian religion assuming a significant place in religious studies. Studies in Jaina History and Culture breaks new ground by investigating the doctrinal differences and debates amongst the Jains rather than presenting Jainism as a seamless whole whose doctrinal core has remained virtually unchanged throughout its long history. The focus of the book is the discourse concerning orthodoxy and heresy in the Jaina tradition, the question of omniscience and Jaina logic, role models for women and female identity, Jaina schools and sects, religious property, law and ethics. The internal diversity of the Jaina tradition and Jain techniques of living with diversity are explored from an interdisciplinary point of view by fifteen leading scholars in Jaina studies. The contributors focus on the principal social units of the tradition: the schools, movements, sects and orders, rather than Jain religious culture in abstract. Peter Flu?gel provides a representative snapshot of the current state of Jaina studies that will interest students and academics involved in the study of religion or South Asian cultures. 410 0$aRoutledge advances in Jaina studies. 606 $aJaina civilization 615 0$aJaina civilization. 676 $a294.409 702 $aFlu?gel$b Peter 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910476815203321 996 $aStudies in Jaina History and Culture$92231887 997 $aUNINA