LEADER 02210nam 2200385 450 001 9910476799903321 005 20230508222832.0 024 7 $a10.4324/9780203959848 035 $a(CKB)5470000000566547 035 $a(NjHacI)995470000000566547 035 $a(EXLCZ)995470000000566547 100 $a20230508d2006 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDifferent Dispatches $eJournalism in American Modernist Prose /$fDavid T. Humphries 210 1$a[Place of publication not identified] :$cTaylor & Francis,$d2006. 210 4$dİ2006 215 $a1 online resource (259 pages) 311 $a1-135-50650-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction; Chapter 1 The Journalist, the Immigrant, and Willa Cather's Popular Modernism; Chapter 2 Sherwood Anderson's Imagined Communities; Chapter 3 The Camera Eye and Reporter's Conscience in Ernest Hemingway's; Chapter 4 Divided Identities, Desiring Reporters in Zora Neale Hurston's Mules and Men and James Agee and Walker Evans's Let Us Now Praise Famous Men; Chapter 5 Reporting on the New Dawn of Cold-War Culture in Robert Penn Warren's All the King's Men. 330 $aIn "Different Dispatches", David Humphries brings together in a new way a diverse group of well-known American writers of the inter-war period including: Willa Cather, Sherwood Anderson, Ernest Hemmingway, Zora Neale Hurston, James Agee and Robert Penn Warren. He demonstrates how these writers engage journalism in creating innovative texts that address mass culture as well as underlying cultural conditions. The book will be of interest to readers approaching these well-known authors for the first time or for scholars grappling with larger issues of cultural production and reception. 606 $aLiterature$xHistory and criticism 615 0$aLiterature$xHistory and criticism. 676 $a809 700 $aHumphries$b David T.$01262124 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910476799903321 996 $aDifferent dispatches$92948600 997 $aUNINA