LEADER 02184nam 2200421 450 001 9910476786203321 005 20230325123220.0 010 $a9781787073944 010 $a9783034322034 035 $a(OCoLC)993628256 035 $a(CKB)3800000000355190 035 $a(NjHacI)993800000000355190 035 $a(ScCtBLL)666b9d9e-b87b-4077-af9e-041c3c7a1b8f 035 $a(EXLCZ)993800000000355190 100 $a20230325d2017 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFrom orientalism to cultural capital $ethe myth of Russia in British literature of the 1920s /$fOlga Sobolev and Angus Wrenn 210 1$aOxford, U.K :$cPeter Lang AG,$d[2017] 210 4$dİ2017 215 $a1 online resource (viii, 337 pages) $cillustrations 311 $a1-78707-394-7 320 $aIncludes bibliographical references and index. 330 $a. . . presents a fascinating account of the wave of Russophilia that pervaded British literary culture in the early twentieth century. The authors bring a new approach to the study of this period, exploring the literary phenomenon through two theoretical models from the social sciences: Orientalism and the notion of cultural capital associated with Pierre Bourdieu. Examining the responses of leading literary practitioners who had a significant impact on the institutional transmission of Russian culture, they reassess the mechanics of cultural dialogism, mediation and exchange, casting new light on British perceptions of modernism as a transcultural artistic movement and the ways in which the literary interaction with the myth of Russia shaped and intensified these cultural views." --$cPage 4 of cover. 606 $aEnglish literature$y20th century$xHistory and criticism 615 0$aEnglish literature$xHistory and criticism. 676 $a820.9/35847 700 $aSoboleva$b Olga$f1959-$0936208 702 $aWrenn$b Angus 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910476786203321 996 $aFrom orientalism to cultural capital$92109052 997 $aUNINA