LEADER 03224oam 2200493 450 001 9910476772603321 005 20220808173203.0 010 $a1-00-304535-9 010 $a1-003-04535-9 035 $a(CKB)4100000011704125 035 $a(NjHacI)994100000011704125 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/34098 035 $a(EXLCZ)994100000011704125 100 $a20210202c20212021 uy| 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aLocating imagination in popular culture$eplace, tourism and belonging /$fedited by Nicky van Es, Stijn Reijnders, Leonieke Bolderman and Abby Waysdorf 210 $cRoutledge 210 1$aAbingdon, Oxon :$cRoutledge,$d2021. 210 4$dİ2021 215 $a1 online resource (335 pages) 225 1 $aRoutledge research in cultural and media studies 311 08$aPrint version: 9780367492625 320 $aIncludes bibliographical references and index. 330 $aThe Baltimore State Hospital for the Criminally Insane is a fictional psychiatric institution. It is where Dr. Hannibal Lecter, the main character ina series of suspense novels by Thomas Harris, has been incarcerated for avery long time. Dr. Lecter is highly intelligent, erudite, and intellectual, but atthe same time devoid of empathy and afflicted with a macabre abnormalityin that, in terms of his preferred diet, he is partial to human flesh. Hence,he has acquired the nickname Hannibal the Cannibal. Hannibal Lecter iswithout doubt one of the most notorious serial killers in Western popular culture. For years, he has been locked up in the deepest, darkest cellar inthis establishment, where he receives visits only from mice, rats, and a stoicguard who comes to bring him food. His cell, at the end of the corridor, issmall, four by four meters, with three stone walls, no window, and a wall ofbars on the fourth side. How does Hannibal cope with this situation? How does he manage to counteract total madness and deal with the isolation? Heuses a well-known cognitive technique: he closes his eyes for a few hours aday and enters the palace of his imagination. This palace is imaginary butconstructed in great detail. It is strikingly large, made up of countless rooms,corridors, and halls, with windows opening up views onto all the places thatare important to Hannibal. The walls are adorned with frescos depicting his own memories, fantasies, and dreams for the future ? all these scenes havetheir own place in the palace of his imagination and are retrievable down to the smallest detail. 410 0$aRoutledge research in cultural and media studies. 606 $aPopular culture 610 $aPopular culture 610 $aMedia studies 615 0$aPopular culture. 676 $a306 700 $avan Es$b Nicky$4edt$01356318 701 $aWaysdorf$b Abby$ceditor.$01252394 702 $avan Es$b Nicky 702 $aReijnders$bStijn 702 $aBolderman$b Leonieke 801 0$bUkMaJRU 906 $aBOOK 912 $a9910476772603321 996 $aLocating imagination in popular culture$93360665 997 $aUNINA