LEADER 03229oam 22004814a 450 001 9910476754603321 005 20230621135952.0 035 $a(CKB)5470000000566753 035 $a(OCoLC)1256540547 035 $a(MdBmJHUP)muse99017 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/69464 035 $a(oapen)doab69464 035 $a(EXLCZ)995470000000566753 100 $a20210316d2021 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSiting Futurity$eThe ?Feel Good? Tactical Radicalism of Contemporary Culture in and around Vienna /$fSusan Ingram 210 $aBrooklyn, NY$cpunctum books$d2021 210 1$aSanta Barbara :$cPunctum Books,$d2021. 210 4$dİ2021. 215 $a1 online resource 311 08$a1-953035-47-7 330 $a"Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to get them to engage their presents, and to help make possible more socially equitable futures. Analyses of politically engaged works of contemporary theatre, film, and photography set in and around Vienna help to identify a historically oriented mechanism that enables artists to tap into Vienna?s extraordinary, and extraordinarily under-appreciated, tradition of protest culture that dates back to the action that brought about the Wiener Neustadt ?Blood Court? in the 16th century, but really came into its own with the city?s most influential occupation of an abandoned slaughterhouse for 100 days in the late summer of 1976. It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles. While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna?s proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known. 606 $aDemonstrations & protest movements$2bicssc 606 $aAustria$2bicssc 606 $aTheatre studies$2bicssc 606 $aFilm theory & criticism$2bicssc 608 $aElectronic books. 610 $aactivism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna 615 7$aDemonstrations & protest movements 615 7$aAustria 615 7$aTheatre studies 615 7$aFilm theory & criticism 700 $aIngram$b Susan$0939909 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910476754603321 996 $aSiting Futurity$92431591 997 $aUNINA