LEADER 04341oam 22006374a 450 001 9910472625603321 005 20240429235644.0 010 $a1-953035-44-2 035 $a(CKB)5590000000456435 035 $a(OCoLC)1247118864 035 $a(MdBmJHUP)muse98374 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/64288 035 $a(EXLCZ)995590000000456435 100 $a20210422d2021 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCome as you are ; after Eve Kosofsky Sedgwick /$fJonathan Goldberg 210 $aBrooklyn, NY$cpunctum books$d2021 210 1$a[Santa Barbara, California], Earth, Milky Way :$cdead letter office, BABEL Working Group, an imprint of punctum books,$d2021. 210 4$dİ2021. 215 $a1 online resource (1 online resource 129 pages) $ccolor illustrations 311 $a1-953035-59-0 311 $a1-953035-43-4 327 $tPrefatory --$tAfter Eve Kosofsky Sedgwick.$t"Then and now" ;$tAfter ;$t"Reality and realization" ;$t"Twisted temporalities," "Queer temporality" ;$t"Eve Sedgwick's 'Other materials'" ;$t"Come as you are" ;$t"Woven spaces" ;$tAfter (again) ;$t"A pedagogy of love" --$tCome as you are.$tCome as you are ;$tFloating columns/In the Bardo --$tIllustrations.$tSUNY Stony Brook, fall 1999 ;$tCUNY Graduate Center, spring 2000. 330 $a"This book brings together two pieces of writing. In the first, "After Eve Kosofsky Sedgwick," Jonathan Goldberg assesses her legacy, prompted mainly by writing about Sedgwick's work that has appeared in the years since her death in April 2009. Writing by Lauren Berlant, Jane Gallop, Katy Hawkins, Scott Herring, Lana Lin, and Philomina Tsoukala are among those considered as he explores questions of queer temporality and the breaching of ontological divides. Main concerns include the relationship of Sedgwick's later work in Proust, fiber, and Buddhism to her fundamental contribution to queer theory, and the axes of identification across difference that motivated her work and attachment to it. "Come As You Are," the other piece of writing, is a previously unpublished talk Sedgwick gave in 1999-2000. It represents a significant bridge between her earlier and later work, sharing with her book Tendencies the ambition to discover the "something" that makes queer inextinguishable. In this piece, Sedgwick does that by contemplating her own mortality alongside her creative engagement with Buddhist thought, especially the in-between states named bardos and her newfound energy for making things. These were represented in a show of her fabric art, "Floating Columns/In the Bardo," that accompanied her talk, a number of images of which are included in this book. They feature floating figures suspended in the realization of death. They are objects produced by Sedgwick, made of fabric; they come from her, yet are discontinuous with her, occupying a mode of existence that exceeds the span of human life and the confines of individual identity. They could be put beside the queer transitive identifications across difference that Goldberg's essay explores"--Publisher's description. 606 $aHomosexuality and literature$xHistory$y21st century 606 $aHomosexuality and literature$xHistory$y20th century 606 $aGay people's writings$xHistory and criticism$xTheory, etc 606 $aQueer theory 608 $aEssays. 608 $aLectures. 608 $aLiterary criticism. 610 $adifference 610 $aidentification 610 $aliterary studies 610 $aontology 610 $aqueer studies 610 $aqueer temporality 610 $afabric art 615 0$aHomosexuality and literature$xHistory 615 0$aHomosexuality and literature$xHistory 615 0$aGay people's writings$xHistory and criticism$xTheory, etc. 615 0$aQueer theory. 700 $aGoldberg$b Jonathan$0251465 701 2$aGoldberg$b Jonathan$0251465 701 2$aSedgwick$b Eve Kosofsky$0456894 702 $aSedgwick$b Eve Kosofsky 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910472625603321 996 $aCome As You Are, After Eve Kosofsky Sedgwick$92264060 997 $aUNINA