LEADER 03044nam  22005651  450 
001 9910467936303321
005 20200514202323.0
010   $a1-83871-197-X
010   $a1-84457-582-9
024 7 $a10.5040/9781838711979
035   $a(CKB)4340000000023533
035   $a(MiAaPQ)EBC4763888
035   $a(MiAaPQ)EBC5400934
035   $a(Au-PeEL)EBL4763888
035   $a(CaPaEBR)ebr11314714
035   $a(CaONFJC)MIL976875
035   $a(OCoLC)966457225
035   $a(OCoLC)1120208359
035   $a(UkLoBP)bpp09264024
035   $a(Au-PeEL)EBL5400934
035   $a(CaPaEBR)ebr11568208
035   $a(OCoLC)1039684448
035   $a(EXLCZ)994340000000023533
100   $a20190919d2012      uy             0
101 0 $aeng
135   $aurcnu||||||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aOlympia /$fTaylor Downing
205   $a2nd ed.
210  1$aLondon :$cPalgrave Macmillan,$d2012.
215   $a1 online resource (129 pages) $cillustrations
225 1 $aBFI film classics
300   $aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.
311   $a1-84457-470-9 
320   $aIncludes bibliographical references.
327   $aAcknowledgements.- Introduction.- The Olympic on Film 1896-1932.- Riefenstahl Before 'Olympia'.- Production and Finance.- Setting Up.- The Prologue and Opening Ceremony.- Track and Field.- Festival of Beauty.- Aftermath.- Notes.- Credits.- Bibliography.
330   $a"Leni Riefenstahl's Olympia (1938) is one of the most controversial films ever made. Capitalising on the success of Triumph of the Will (1935), her propaganda film for the Nazi Party, Riefenstahl secured Hitler's approval for her grandiose plans to film the 1936 Berlin Olympics. The result was a work as notorious for its politics as celebrated for its aesthetic power. This revised edition includes new material on Riefenstahl's film-making career before Olympia and her close relationship with Hitler. Taylor Downing also discusses newly-available evidence on the background to the film's production that conclusively proves that the film was directly commissioned by Hitler and funded through Goebbels's Ministry of Propaganda and not, as Riefenstahl later claimed, commissioned independently from the Nazi state by the Olympic authorities. In writing this edition, Taylor Downing has been given access to a magnificent new restoration of the original version of the film by the International Olympic Committee."--Bloomsbury publishing.
410  0$aBFI film classics.
608   $aElectronic books.
676   $a791.4372
700   $aDowning$b Taylor$01026912
801  0$bUtOrBLW
801  1$bUtOrBLW
801  2$bUkLoBP
906   $aBOOK
912   $a9910467936303321
996   $aOlympia$92475919
997   $aUNINA