LEADER 03612oam 22005654a 450 001 9910467197003321 005 20211004152553.0 010 $a1-5261-3826-3 035 $a(CKB)4100000007746239 035 $a(MiAaPQ)EBC5721597 035 $a(PPN)242755755 035 $a(Au-PeEL)EBL5721597 035 $a(OCoLC)1089126449 035 $a(MdBmJHUP)musev2_78693 035 $a(EXLCZ)994100000007746239 100 $a20180605d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe genres of Renaissance tragedy$fedited by Daniel Cadman, Andrew Duxfield and Lisa Hopkins 210 1$aManchester :$cManchester University Press,$d2019. 210 4$dİ2019. 215 $a1 online resource (232 pages) 311 $a1-78499-279-8 327 $aDe casibus tragedy: Marlowe's Tamburlaine the Great / Andrew Duxfield -- Biblical tragedy: George Peele's David and Bethsabe / Annaliese Connolly -- Closet tragedy: Fulke Greville's Mustapha / Daniel Cadman -- Tragedy of state: Macbeth / Alisa Manninen -- Domestic tragedy: Yarington 's Two Lamentable Tragedies / Lisa Hopkins and Gemma Leggott -- Roman tragedy: the case of Jonson's Sejanus / John E. Curran, Jr -- Satiric tragedy: The Revenger's Tragedy / Gabriel A. Rieger -- Revenge tragedy: Henry Chettle's The Tragedy of Hoffman / Derek Dunne -- 'Ha, O my horror!' Grotesque tragedy in John Webster's The White Devil / Paul Frazer -- She-tragedy: lust, luxury and empire in John Fletcher and Philip Massinger's The False One / Domenico Lavascio -- Ford's Perkin Warbeck as historical tragedy / Sarah Dewar-Watson -- Caroline tragedy: James Shirley's The Traitor / Jessica Dyson. 330 8 $aThis collection of newly commissioned essays explores the extraordinary versatility of Renaissance tragedy and shows how it enables exploration of issues ranging from gender to race to religious conflict, as well as providing us with some of the earliest dramatic representations of the lives of ordinary Englishmen and women. The book mixes perspectives from emerging scholars with those of established ones and offers the first systematic examination of the full range and versatility of Renaissance tragedy as a literary genre. It works by case study, so that each chapter offers not only a definition of a particular kind of Renaissance tragedy but also new research into a particularly noteworthy or influential example of that genre. Collectively the essays examine the work of a range of dramatists and offer a critical overview of Renaissance tragedy as a genre. 606 $aLiterature$2ukslc 606 $aEnglish drama (Tragedy)$2fast$3(OCoLC)fst00910801 606 $aEnglish drama$xEarly modern and Elizabethan$2fast$3(OCoLC)fst01710950 606 $aEnglish drama (Tragedy)$xHistory and criticism 606 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aLiterature. 615 0$aEnglish drama (Tragedy) 615 0$aEnglish drama$xEarly modern and Elizabethan. 615 0$aEnglish drama (Tragedy)$xHistory and criticism. 615 0$aEnglish drama$xHistory and criticism. 676 $a822.051 702 $aCadman$b Daniel 702 $aHopkins$b Lisa$f1962- 702 $aDuxfield$b Andrew 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910467197003321 996 $aThe genres of Renaissance tragedy$92096290 997 $aUNINA