LEADER 03763nam 2200529 450 001 9910467185203321 005 20200520144314.0 010 $a1-4968-0631-X 010 $a1-4968-0629-8 035 $a(CKB)4330000000001549 035 $a(MiAaPQ)EBC4446060 035 $a(Au-PeEL)EBL4446060 035 $a(CaPaEBR)ebr11172474 035 $a(CaONFJC)MIL903754 035 $a(OCoLC)931861486 035 $a(EXLCZ)994330000000001549 100 $a20151130h20162016 uy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aProjections of passing $epostwar anxieties and Hollywood films, 1947-1960 /$fN. Megan Kelley 210 1$aJackson :$cUniversity Press of Mississippi,$d[2016] 210 4$dİ2016 215 $a1 online resource (289 pages) $cillustrations 311 $a1-4968-0627-1 320 $aIncludes bibliographical references and index. 330 $a"A key concern in postwar America was "who's passing for whom?" Analyzing representations of passing in Hollywood films reveals changing cultural ideas about authenticity and identity in a country reeling from a hot war and moving towards a cold one. After World War II, passing became an important theme in Hollywood movies, one that lasted throughout the long 1950s, as it became a metaphor to express postwar anxiety.The potent, imagined fear of passing linked the language and anxieties of identity to other postwar concerns, including cultural obsessions about threats from within. Passing created an epistemological conundrum that threatened to destabilize all forms of identity, not just the longstanding American color line separating white and black. In the imaginative fears of postwar America, identity was under siege on all fronts. Not only were there blacks passing as whites, but women were passing as men, gays passing as straight, communists passing as good Americans, Jews passing as gentiles, and even aliens passing as humans (and vice versa). Fears about communist infiltration, invasion by aliens, collapsing gender and sexual categories, racial ambiguity, and miscegenation made their way into films that featured narratives about passing. N. Megan Kelley shows that these films transcend genre, discussing Gentleman's Agreement, Home of the Brave, Pinky, Island in the Sun, My Son John, Invasion of the Body-Snatchers, I Married a Monster from Outer Space, Rebel without a Cause, Vertigo, All about Eve, and Johnny Guitar, among others.Representations of passing enabled Americans to express anxieties about who they were and who they imagined their neighbors to be. By showing how pervasive the anxiety about passing was, and how it extended to virtually every facet of identity, Projections of Passing broadens the literature on passing in a fundamental way. It also opens up important counter-narratives about postwar America and how the language of identity developed in this critical period of American history"--$cProvided by publisher. 606 $aIdentity (Psychology) in motion pictures 606 $aPassing (Identity) in motion pictures 606 $aMotion pictures$zUnited States$xHistory$y20th century 606 $aMotion pictures$xSocial aspects$zUnited States 608 $aElectronic books. 615 0$aIdentity (Psychology) in motion pictures. 615 0$aPassing (Identity) in motion pictures. 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xSocial aspects 676 $a791.43/653 700 $aKelley$b N. Megan$01033269 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910467185203321 996 $aProjections of passing$92451707 997 $aUNINA LEADER 01542ngm 22005051 450 001 9910867350003321 005 20250331110045.0 010 $a9781071830437 010 $a1071830430 035 $a(CKB)5450000000019150 035 $a(OCoLC)1200001547 035 $a(CaToSAGE)SAGE000010086 035 $a(NjHacI)995450000000019150 035 $a275963 035 $a(OOMM)MDP055 035 $a(EXLCZ)995450000000019150 100 $a20200929d2019 fy v 101 0 $aeng 135 $aur|za|||||||| 181 $ctdi$2rdacontent 182 $cc$2rdamedia 182 $cv$2rdamedia 183 $acr$2rdacarrier 200 00$aNeuromuscular junction 210 1$aLos Angeles, CA :$cSAGE Publications, Inc.,$d2019. 215 $a1 online resource (1 video file (00:01:15)) $csound, colour 225 1 $a2-Minute Neuroscience Videos 330 8 $aThe parts of and the processes that occur in a neuromuscular junction are explained through the series of steps leading to muscle contraction. 410 0$a2-Minute Neuroscience Videos 606 $aMyoneural junction 606 $aMuscle contraction 606 $aMuscles$xPhysiology 615 0$aMyoneural junction. 615 0$aMuscle contraction. 615 0$aMuscles$xPhysiology. 676 $a612.74 712 02$aMarc Dingman, 712 02$aMcIntyre Media Inc., 801 0$bCaToSAGE 801 1$bCaToSAGE 801 2$bUtOrBLW 906 $aVIDEO 912 $a9910867350003321 996 $aNeuromuscular junction$94170667 997 $aUNINA