LEADER 01777nam 2200493Ia 450 001 9910699801003321 005 20110131160058.0 035 $a(CKB)5470000002404931 035 $a(OCoLC)699513527 035 $a(EXLCZ)995470000002404931 100 $a20110131d2010 ua 0 101 0 $aeng 135 $aurmn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDesign of 8-ft-diameter barrel test article attachment rings for Shell Buckling Knockdown Factor Project$b[electronic resource] /$fAndrew E. Lovejoy and Mark W. Hilburger 210 1$aHampton, Va. :$cNational Aeronautics and Space Administration, Langley Research Center,$d[2010] 215 $a1 online resource (ix, 82 pages) $cillustrations 225 1 $aNASA/TM ;$v2010-216839 300 $aTitle from title screen (viewed on Jan. 31, 2011). 300 $a"August 2010." 320 $aIncludes bibliographical references (page 28). 606 $aAres 5 cargo launch vehicle$2nasat 606 $aDesign analysis$2nasat 606 $aLaunch vehicles$2nasat 606 $aSafety factors$2nasat 606 $aBuckling$2nasat 606 $aFabrication$2nasat 615 7$aAres 5 cargo launch vehicle. 615 7$aDesign analysis. 615 7$aLaunch vehicles. 615 7$aSafety factors. 615 7$aBuckling. 615 7$aFabrication. 700 $aLovejoy$b Andrew E$01410339 701 $aHilburger$b Mark W$g(Mark William)$01395062 712 02$aLangley Research Center. 801 0$bGPO 801 1$bGPO 906 $aBOOK 912 $a9910699801003321 996 $aDesign of 8-ft-diameter barrel test article attachment rings for Shell Buckling Knockdown Factor Project$93498805 997 $aUNINA LEADER 02487nam 2200505 450 001 9910467048003321 005 20230120061931.0 010 $a979-1-03-650177-7 010 $a2-7606-3742-5 024 7 $a10.4000/books.pum.11143 035 $a(CKB)3710000001391828 035 $a(Au-PeEL)EBL4891437 035 $a(CaPaEBR)ebr11405075 035 $a(OCoLC)993081963 035 $z(PPN)233378588 035 $a(FrMaCLE)OB-pum-11143 035 $a(VaAlCD)20.500.12592/tr6q72 035 $a(MiAaPQ)EBC4891437 035 $a(PPN)267964552 035 $a(EXLCZ)993710000001391828 100 $a20170727h20172017 uy 0 101 0 $afre 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 12$aL'action environnementale au Quebec $eEntre local et mondial /$fsous la direction d'Annie Chaloux 210 1$aMontreal, Quebec :$cLes Presses de l'Universite de Montreal,$d2017. 215 $a1 online resource (296 pages) 311 $a2-7606-3741-7 320 $aIncludes bibliographical references. 330 $aComme la question environnementale préoccupe une large part de la population mondiale, l'environnement est désormais un champ d'action incontournable pour plusieurs gouvernements, et celui du Québec n'est pas en reste à cet égard. Cet ouvrage apporte un éclairage sur les idées, les institutions, les acteurs et les dynamiques en place qui entendent répondre aux défis et aux enjeux actuels. Ses auteurs étudient le rôle des idées et des idéologies, décrivent l'évolution du mouvement vert québécois et la place des partis verts dans les systèmes électoraux canadien et québécois. Ils analysent également l'institutionnalisation de la question environnementale dans une perspective aussi bien locale que régionale ou même mondiale. Des études de cas - gestion de l'eau, marché du carbone, transition énergétique - permettent enfin aux lecteurs de mieux comprendre les volets pratiques de l'action publique environnementale québécoise. 606 $aEnvironmental policy$zQue?bec (Province) 606 $aEnvironmental policy 615 0$aEnvironmental policy 615 0$aEnvironmental policy. 676 $a330.971404 700 $aChaloux$b Annie$0981158 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910467048003321 996 $aL'action environnementale au Quebec$92239427 997 $aUNINA LEADER 05986nam 22007455 450 001 996379039003316 005 20240402205733.0 024 7 $a10.1515/9789048551941 035 $a(CKB)5310000000017027 035 $a(DE-B1597)571774 035 $a(DE-B1597)9789048551941 035 $a(OCoLC)1224278790 035 $a(MiAaPQ)EBC30406563 035 $a(Au-PeEL)EBL30406563 035 $a(PPN)250733900 035 $a(EXLCZ)995310000000017027 100 $a20201125h20202020 fg 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPost-cinema $eCinema in the Post-art Era /$fDominique Chateau, José Moure 205 $a1st ed. 210 1$aAmsterdam :$cAmsterdam University Press,$d[2020] 210 4$d©2020 215 $a1 online resource (376 p.) 225 0 $aThe Key Debates: Mutations and Appropriations in European Film Studies 311 $a90-485-5194-3 327 $tFrontmatter --$tTable of Contents --$tEditorial --$tAcknowledgments --$t1. Introduction --$tPART I A Tribute to Agnès Varda --$t2. The Incipit of Beaches of Agnès (Les plages d?Agnès) An Installation in the Form of a Self-portrait --$tPART II The End of Cinema? --$t3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti, Columbia University Press, 2015 --$t4. Cinema Hangs Tough --$t5. Jean-Luc Godard?s Histoire(s) du cinéma or Cinema Surpasses Itself --$tPART III Technological Transformations --$t6. Mutation, Appropriation and Style --$t7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition ? A Dialogue --$t8. In-Flight Entertainment or the Emptying Process of Art in the Air --$tPART IV New Dispositif, New Conditions --$t9. What Kind of Art Is the Cinema of Interactions? --$t10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix?s Algorithmic Operations --$t11. Post-cinema Ecology --$tPART V Transformations in Film Form --$t12. Dwelling with Moving Images --$t13. Extraordinary Stories, a Mariano Llinás Postmodern Art Film --$t14. Art, Otherwise Than Art. Cinema and Contemporary Art: A Mutual Challenge --$t15. The Zidane Film --$tPART VI Post-cinema, an Artists? Affair --$t16. The Happy Failure. La pluie (Projet pour un texte) by Marcel Broodthaers, 1969 --$t17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky?s DAU --$t18. Cinématon: The Shortest Films for the Longest Film ? A Dialogue --$t19. Documentary as Contemporary Art ? A Dialogue 330 $aPost-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films ; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater ; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition. 410 4$aThe Key Debates: Mutations and Appropriations in European Film Studies 606 $aPERFORMING ARTS / Film & Video / Direction & Production$2bisacsh 610 $afilm, contemporary art, media, aesthetics, dispositif. 615 7$aPERFORMING ARTS / Film & Video / Direction & Production. 676 $a791.4301 702 $aAndrea$b Pinotti$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aAndré$b Gaudreault$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aOever$b Annie van den$f1957-$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aChateau$b Dominique$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aChristophe$b Génin$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aChristophe$b Viart$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aCéline$b Scemama$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDominique$b Chateau$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDudley$b Andrew$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aEugénie$b Zvonkine$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aFrancesco$b Casetti$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aJost$b Franc?ois$f1949-,$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGabriela$b Rivadeneira Crespo$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGiovanna$b Fossati$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGérard$b Courant$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aJosé$b Moure$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMalte$b Hagener$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMiriam$b De Rosa$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMoure$b José$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aPhilippe$b Marion$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aRichard$b Conte$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aVictor$b Burgin$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aWang$b Bing$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996379039003316 996 $aPost-cinema$91983407 997 $aUNISA