LEADER 01204nam--2200397---450- 001 990003395020203316 005 20100506095324.0 010 $a0-415-94052-4 035 $a000339502 035 $aUSA01000339502 035 $a(ALEPH)000339502USA01 035 $a000339502 100 $a20100506d2005----km-y0itay50------ba 101 $aeng 102 $aUS 105 $a||||||||001yy 200 1 $aMedieval Ireland$ean encyclopedia$fSean Duffy, editor$gassociate editors Ailbhe MacShamhrain, James Moynes$gadvisory board Peter Harbison...[et al.] 210 $aNew York$aLondon$cRoutledge$d2005 215 $aXXXI, 546 p.$d27 cm 410 0$12001 454 0$12001 606 0 $aStoria medievale$yIrlanda$xEnciclopedie$2BNCF 676 $a941.501 702 1$aDUFFY,$bSean 702 1$aMACSHAMHRAIN,$bAilbhe 702 1$aMOYNES,$bJames 702 1$aHARBISON,$bPeter 801 0$aIT$bsalbc$gISBD 912 $a990003395020203316 951 $aX.1.B. 1276$b2552 L.G.$cX.1.B.$d00258039 959 $aBK 969 $aUMA 979 $aALESSANDRA$b90$c20100506$lUSA01$h0951 979 $aALESSANDRA$b90$c20100506$lUSA01$h0953 996 $aMedieval Ireland$91126513 997 $aUNISA LEADER 04330nam 2200541 450 001 9910467040703321 005 20211117203216.0 010 $a1-4426-2092-7 024 7 $a10.3138/9781442620926 035 $a(DE-B1597)465494 035 $a(OCoLC)944178867 035 $a(OCoLC)999354091 035 $a(DE-B1597)9781442620926 035 $a(MiAaPQ)EBC4670090 035 $a(Au-PeEL)EBL4670090 035 $a(CaPaEBR)ebr11256604 035 $a(OCoLC)958557999 035 $a(EXLCZ)993830000000055242 100 $a20160914h20032003 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aModern drama $edefining the field /$fedited by Ric Knowles, Joanne Tompkins, and W.B. Worthen 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2003. 210 4$dİ2003 215 $a1 online resource (xiii, 212 pages) 225 0 $aHeritage 300 $aPapers presented at a conference held May 2000, Graduate Center for the Study of Drama, University of Toronto, and originally published as v. 43 (4) and v. 44 (1) of the journal Modern drama. 311 $a0-8020-8621-7 320 $aIncludes bibliographical references. 327 $tFrontmatter --$tContents --$tIntroduction --$tModern Drama/Modernity's Drama /$rDiamond, Elin --$tAesthetic Prejudice in Modern Drama /$rSidnell, Michael J. --$tWhy Modern Plays Are Not Culture: Disciplinary Blind Spots /$rJackson, Shannon --$tQuo Vadis? Theatre Studies at the Crossroads /$rFischer-Lichte, Erika --$tPhysiologies of the Modern: Zola, Experimental Medicine, and the Naturalist Stage /$rGarner, Stanton B. --$tMaking Sense of Sensation: Enlightenment, Embodiment, and the End(s) of Modern Drama /$rKruger, Loren --$tLuminous Writing, Embodiment, and Modern Drama: Mme Blavatsky and Bertolt Brecht /$rCase, Sue-Ellen --$tThe Haunted Houses of Modernity /$rSavran, David --$tHauntings: Anxiety, Technology, and Gender in Peter Pan /$rWilson, Ann --$tBodies, Revolutions, and Magic: Cultural Nationalism and Racial Fetishism /$rLee, Josephine --$tModernism and Genocide: Citing Minstrelsy in Postcolonial Agitprop /$rFilewod, Alan --$tAugust Wilson, Doubling, Madness, and Modern African-American Drama /$rElam, Harry J. --$tWorks Cited --$tWorks Cited 330 $aTheatre, like other subjects in the humanities, has recently undergone quintessential changes in theory, approach, and research. Modern Drama - a collection of twelve essays from leading theatre and drama scholars - investigates the contemporary meanings and the cultural and political resonances of the terms inherent in the concepts of 'modern' and 'drama,' delving into a range of theoretical questions on the history of modernism, modernity, postmodernism, and postmodernity as they have intersected with the shifting histories of drama, theatre, and performance. Using incisive analyses of both modern and postmodern plays, the contributors examine varied topics such as the analysis of periodicity; the articulation of social, political, and cultural production in theatre; the re-evaluation of texts, performances, and canons; and demonstrations of how interdisciplinarity inflects theatre and its practice.Including work by Sue-Ellen Case, Elin Diamond, Harry J. Elam Jr, Alan Filewod, Erika Fischer-Lichte, Stanton B. Garner Jr, Shannon Jackson, Loren Kruger, Josephine Lee, David Savran, Michael Sidnell, and Ann Wilson, the collection highlights the importance of continuing to investigate not only critical texts but also the terms of the debate themselves. Incorporating both drama history and modern studies, this compilation will be an invaluable work to all scholars of theatre and drama, and as well as those students of the humanities and modernism. 606 $aDrama$y20th century$xHistory and criticism 608 $aElectronic books. 615 0$aDrama$xHistory and criticism. 676 $a809.2/04 702 $aKnowles$b Richard Paul$f1950- 702 $aTompkins$b Joanne$f1961- 702 $aWorthen$b William B.$f1955- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910467040703321 996 $aMODERN Drama$9517302 997 $aUNINA