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100   $a20160119h20152015  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aSeeing Sarah Bernhardt $eperformance and silent film /$fVictoria Duckett
210  1$aUrbana, [Illinois] :$cUniversity of Illinois Press,$d2015.
210  4$dİ2015
215   $a1 online resource (249 p.)
225 1 $aWomen and Film History International
300   $aDescription based upon print version of record.
311   $a0-252-08116-1 
311   $a0-252-03966-1 
320   $aIncludes bibliographical references and index.
327   $aNullius in verba: acting on silent film -- Hamlet: a short film, 1900 -- Camille: the ladies of the camellias -- Queen Elizabeth: a moving picture, 1912 -- Sarah Bernhardt at home: cinema and the home, ca. 1915 -- Mothers of France: World War I, film, and propaganda -- Conclusion.
330 8 $aThe most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film 'Queen Elizabeth' vaulted her to international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Placing Bernhardt at the centre of the industry's first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film's qualities.
410  0$aWomen and film history international.
606   $aMotion picture industry$zFrance$xHistory
606   $aSilent films$zFrance$xHistory and criticism
608   $aElectronic books.
615  0$aMotion picture industry$xHistory.
615  0$aSilent films$xHistory and criticism.
676   $a792.02/8092
700   $aDuckett$b Victoria$0965954
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910466877403321
996   $aSeeing Sarah Bernhardt$92192165
997   $aUNINA