LEADER 05595nam 2200649 450 001 9910466801703321 005 20200122213440.0 010 $a2-8066-3227-7 035 $a(CKB)3790000000018684 035 $a(EBL)2085888 035 $a(SSID)ssj0001543350 035 $a(PQKBManifestationID)16135911 035 $a(PQKBTitleCode)TC0001543350 035 $a(PQKBWorkID)12499173 035 $a(PQKB)11055044 035 $a(MiAaPQ)EBC2085888 035 $a(Au-PeEL)EBL2085888 035 $a(OCoLC)914152649 035 $a(EXLCZ)993790000000018684 100 $a20200122d2014 uy 0 101 0 $afre 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBalades mac?onniques en litte?rature /$fFranc?ois Cavaignac 210 1$aBruxelles ;$aFernelmont, [Belgium] :$cEME,$d2014. 215 $a1 online resource (278 p.) 225 1 $aExplorations mac?onniques 300 $aDescription based upon print version of record. 311 $a2-8066-3226-9 311 $a2-8066-3179-3 320 $aIncludes bibliographical references (pages 191-193) and index. 327 $aDu me?me auteur; Pre?face; Une belle invitation au voyage !; Introduction; 1) The?a?tre; 2) Romans et nouvelles; Chapitre 1Les chemins de l'Histoire; La Re?volution franc?aise; La pre?paration de la Re?volution; Joseph Balsamo (1846), Alexandre Dumas; La Re?volution aux Antilles; Le Sie?cle des Lumie?res (1962), Alejo Carpentier; Un roman historique; Le Sie?cle des Lumie?res, le re?ve e?vanoui; L'e?re napole?onienne; La Franc-mac?onnerie dans les campagnes d'Italie et de Russie; Le Baron perche? (1957), Italo Calvino; Guerre et paix (1865-1868), Tolstoi?; L'e?pope?e napole?onienne vue par Paul Adam 327 $aPaul Adam (1862-1920), auteur occultisteLe Temps et la Vie, une saga familiale; L'enfant d'Austerlitz (1902); La Ruse (1903); Au soleil de juillet (1903); Conclusion; Chapitre 2La politique et la religion,voies interdites ?; La tentation politique; La nature politique de la Franc-mac?onnerie; Le faux Grand Mai?tre (1815); La montagne magique (1924), Thomas Mann; La Franc-mac?onnerie « usine a? e?lections »; Mon oncle Sosthe?ne (1882), Maupassant; L'Orme du mail (1897), Anatole France; L'ide?e d'un gouvernement mondial; Guerre et paix (1865-1868), Tolstoi?; La montagne magique (1924), Thomas Mann 327 $aRecherche d'une E?glise (1934), Jules RomainsLe Baron perche? (1957), Italo Calvino; La pre?sence religieuse; La religion enjeu de l'intrigue; L'Orme du mail (1897), Anatole France; Les Caves du Vatican (1914), Gide; Les duels entre E?glise et Franc-mac?onnerie; La montagne magique (1924), Thomas Mann; Le Baron perche? (1957), Italo Calvino; Un lien sacre? ?; Les fils de la lumie?re (1962), Roger Peyrefitte; Le Moine et le Ve?ne?rable (1996), Christian Jacq; Conclusion; Chapitre 3L'initiation, figure impose?e; La vision burlesque au the?a?tre; Arlequin franc-mac?on (1737) 327 $aFre?re Galfa?tre (1844), Bayard et SaintineFrancs-mac?ons (1905), Roland et Leprince; Les initiations romanesques; Guerre et paix (1865-1868), Tolstoi?; Le juif franc-mac?on (1890), Henri Desportes; Le Sie?cle des Lumie?res (1962), Ale?jo Carpentier; La Ruse (1903), Paul Adam; Conclusion; Chapitre 4Au carrefour dequelques grandes questions; De la bienfaisance; Les deux Francs-mac?ons (1808), Pelletier-Volme?ranges; Itanoko (1835), Rey; Les Francs-mac?ons (1867), Auguste et Charles Beaumont; Des valeurs mac?onniques; Les vertus mac?onniques existent- elles ? 327 $aLa solidarite? : de?sinte?ressement ou affairisme ?L'ine?vitable secret; Des femmes et de la Franc-mac?onnerie; Les Fri-Mac?ons (1740), Pierre Cle?ment; La Franc-mac?onnerie des femmes (1855-1861), Charles Monselet; Conclusion; Chapitre 5L'antimac?onnisme; Les premiers arguments; L'accusation de sorcellerie et de satanisme; Arlequin franc-mac?on (1737); Les deux Francs-mac?ons (1808), Pelletier-Volme?ranges; Itanoko (1835), Rey; La responsabilite? de la Re?volution, autre accusation; Les Francs-mac?ons (1867), Auguste et Charles Beaumont; Le courant antimac?onnique au XIXe sie?cle 327 $aLa Franc-mac?onnerie des femmes (1855-1861), Charles Monselet 330 $a Depuis trois sie?cles la Franc-mac?onnerie a e?te? pre?sente a? de nombreuses reprises dans la litte?rature mondiale ; or cette re?alite? est mal connue. De?sireux d'approcher ce domaine oublie?, Franc?ois Cavaignac s'est attache? a? montrer la place occupe?e par les loges et les francs-mac?ons tant en matie?re the?a?trale que dans le cadre du roman : se co?toient ainsi des grands auteurs, Alexandre Dumas, Tolstoi?, Maupassant, Anatole France, Andre? Gide, Thomas Mann, Jules Romains, Italo Calvino, Ale?jo Carpentier, Aragon et Breton, tandis que d'autres re?apparaissent, tels Charles Monselet, Paul Fe?val fils, Paul 410 0$aExplorations mac?onniques. 606 $aFreemasonry in literature 606 $aFreemasonry and literature 606 $aLiterature$xHistory and criticism 608 $aElectronic books. 615 0$aFreemasonry in literature. 615 0$aFreemasonry and literature. 615 0$aLiterature$xHistory and criticism. 676 $a366.1 700 $aCavaignac$b Franc?ois$f1948-$0876030 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910466801703321 996 $aBalades mac?onniques en litte?rature$91956378 997 $aUNINA LEADER 04633nam 2200793 450 001 9910813484503321 005 20230912172652.0 010 $a1-281-99468-5 010 $a9786611994686 010 $a1-4426-7097-5 024 7 $a10.3138/9781442670976 035 $a(CKB)2430000000001901 035 $a(EBL)4671196 035 $a(SSID)ssj0000289113 035 $a(PQKBManifestationID)11222553 035 $a(PQKBTitleCode)TC0000289113 035 $a(PQKBWorkID)10383619 035 $a(PQKB)10104302 035 $a(CaBNvSL)thg00600994 035 $a(DE-B1597)464186 035 $a(OCoLC)1002243422 035 $a(OCoLC)1004878421 035 $a(OCoLC)1011446805 035 $a(OCoLC)944178525 035 $a(OCoLC)999354708 035 $a(DE-B1597)9781442670976 035 $a(Au-PeEL)EBL4671196 035 $a(CaPaEBR)ebr11256916 035 $a(OCoLC)958571402 035 $a(OCoLC)244768148 035 $a(MdBmJHUP)musev2_104427 035 $a(VaAlCD)20.500.12592/rc9vhg 035 $a(schport)gibson_crkn/2009-12-01/6/418480 035 $a(MiAaPQ)EBC4671196 035 $a(MiAaPQ)EBC3258016 035 $a(PPN)272886572 035 $a(EXLCZ)992430000000001901 100 $a20160915h20042004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAretino's satyr $esexuality, satire and self-projection in sixteenth-century literature and art /$fRaymond B. Waddington 205 $a2nd ed. 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2004. 210 4$d©2004 215 $a1 online resource (358 p.) 225 0 $aToronto Italian Studies 300 $aDescription based upon print version of record. 311 $a0-8020-8122-3 311 $a0-8020-8814-7 320 $aIncludes bibliographical references and indexes. 327 $g1.$tOstentatio genitalium: Revaluing Sexuality$g3 --$tPriapus and the Satyr$g11 --$tAretino as Counter-Petrarch$g20 --$g2.$tAretino and Print Culture$g33 --$tPrinting and Prostitution$g34 --$tThe New Man of Letters$g45 --$g3.$tThe Better Image: Portraits in Words, Wood, and Bronze$g57 --$tPortraits of the Artist as a Middle-Aged Man$g61 --$tAretino and Medals$g69 --$tLeone Leoni$g75 --$tAlessandro Vittoria$g78 --$tAdria's Medal$g83 --$g4.$tSatyr and Satirist$g91 --$tTruth and the Satyr$g93 --$tVeritas Odium Parit$g96 --$tImages of Truth$g103 --$tPhallic Satyrs$g109 --$g5.$tSerious Play: From Satyr to Silenus$g117 --$tArcimboldo's Composite Portraits$g122 --$tThe Silenus of Alcibiades$g124 --$tSatyr Art and Satyric Portraits$g132 --$tMarsyas$g144 --$tEpilogue: Titian's The Flaying of Marsyas$g153. 330 $aPietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts. 410 0$aToronto Italian studies 606 $aLITERARY CRITICISM / European / Italian$2bisacsh 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 7$aLITERARY CRITICISM / European / Italian. 676 $a858/.309 700 $aWaddington$b Raymond B.$0297758 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813484503321 996 $aAretino's satyr$921159 997 $aUNINA