LEADER 03219nam 2200481 450 001 9910466386203321 005 20200106144431.0 035 $a(CKB)4100000003787443 035 $a(MiAaPQ)EBC5394439 035 $a(DLC) 2018033615 035 $a(EXLCZ)994100000003787443 100 $a20180616h20182018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe noun phrase in English $epast and present /$fedited by Alex Ho-Cheong Leung, Wim van der Wurff 210 1$aAmsterdam ;$aPhiladelphia :$cJohn Benjamins Publishing Company,$d[2018] 210 4$dİ2018 215 $a1 online resource (229 pages) 225 1 $aLinguistik aktuell ;$v246 311 $a90-272-0072-6 311 $a90-272-6406-6 320 $aIncludes bibliographical references and indexes. 327 $aIntroduction to the noun phrase in English: New clues to the past and the present / Alex Ho-Cheong Leung and Wim van der Wurff -- Complex NPs with third-order entity clauses: Towards a grammatical description and semantic typology / Kristin Davidse -- Adjective stacking in Early Modern English: Some stylistic considerations / Victorina Gonza?lez-Di?az -- The rich, the poor, the obvious: Arguing for an ellipsis analysis of "adjectives used as nouns" / Christine Gu?nther -- Variable article usage with institutional nouns: An "oddment" of English? / Marianne Hundt -- Anaphoric reference in Early Modern English: The case of said and same / Alex Ho-Cheong Leung and Wim van der Wurff -- That-complementiser omission in N + be + that-clauses: Register variation or constructional change? / Annette Mantlik and Hans-Jo?rg Schmid. 330 $a"Building on a substantial earlier literature, the chapters in this volume further advance knowledge and understanding of properties of the noun phrase in English. The empirical material for the papers includes both historical and present-day data, with the two often shedding light on each other in a process of mutual illumination. The topics addressed are: the structure of nounless NPs like the poor and the obvious; the article/zero alternation in expressions like go to (the) church; developments in the early history of adjective stacking; the semantics of N + clause units in present-day English; the history of N + BE + clause constructions; and the decline of two anaphoric NPs in Early Modern English. The volume will appeal to scholars working in this area and will also help those interested in the general field of English grammar to keep abreast of recent methods and results in NP-related work"--$cProvided by publisher. 410 0$aLinguistik aktuell ;$v246. 606 $aEnglish language$xNoun phrase 606 $aEnglish language$xSyntax 608 $aElectronic books. 615 0$aEnglish language$xNoun phrase. 615 0$aEnglish language$xSyntax. 676 $a425.54 702 $aLeung$b Alex Ho-Cheong 702 $aWurff$b Wim van der 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910466386203321 996 $aThe noun phrase in English$92128787 997 $aUNINA LEADER 04413nam 2200673 450 001 9910463839103321 005 20211207031957.0 010 $a3-11-029204-1 024 7 $a10.1515/9783110292046 035 $a(CKB)2670000000494749 035 $a(EBL)1130408 035 $a(OCoLC)862938399 035 $a(SSID)ssj0001041642 035 $a(PQKBManifestationID)11577324 035 $a(PQKBTitleCode)TC0001041642 035 $a(PQKBWorkID)11010182 035 $a(PQKB)10343956 035 $a(MiAaPQ)EBC1130408 035 $a(DE-B1597)177654 035 $a(OCoLC)862745797 035 $a(OCoLC)881296222 035 $a(DE-B1597)9783110292046 035 $a(Au-PeEL)EBL1130408 035 $a(CaPaEBR)ebr10811322 035 $a(CaONFJC)MIL805881 035 $a(EXLCZ)992670000000494749 100 $a20130905h20132013 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aTouching and being touched $ekinesthesia and empathy in dance and movement /$fedited by Gabriele Brandstetter, Gerko Egert, Sabine Zubarik 210 1$aBerlin ;$aBoston :$cDe Gruyter Mouton,$d[2013] 210 4$dİ2013 215 $a1 online resource (332 p.) 300 $aDescription based upon print version of record. 311 0 $a3-11-029186-X 320 $aIncludes bibliographical references. 327 $tFront matter --$tTable of Contents --$tIntroduction --$tTouching and Being Touched --$tI. Touch --$tRühren, Berühren, Aufruhr /$rNancy, Jean-Luc --$tFigure, Plasticity, Affect /$rLargier, Niklaus --$tJust Like That /$rManning, Erin / Massumi, Brian --$tMovements of Touch in MAYBE FOREVER /$rEgert, Gerko --$tCold Burn (Teion Yakedo) /$rMezur, Katherine --$tThe Fault Lines of Touching /$rKruschkova, Krassimira --$tII. Kinesthesia --$tOn 'Inner Touch' and the Moving Body /$rPaterson, Mark --$tChoreographies With and Without a Choreographer /$rLandweer, Hilge --$t"Listening" /$rBrandstetter, Gabriele --$tDo You Feel the Same Way Too? /$rJola, Corinne --$tEmpathy, Contagion and Affect /$rReynolds, Dee --$tIII. Empathy --$tAffective Modulations in Politics, Theory and Art /$rAngerer, Marie-Luise --$tIs the Movement of the Filmic Image a Sign of Vitality? /$rCurtis, Robin --$tFeeling In and Out /$rAlbright, Ann Cooper --$t"Touch Me If You Can" /$rZubarik, Sabine --$tLost and Found in Interpretation /$rChatzimasoura, Kornilia --$tDancing Tango /$rAbadi, Sonia --$tNotes on Contributors 330 $aTouch is a fundamental element of dance. The (time) forms and contact zones of touch are means of expression both of self-reflexivity and the interaction of the dancers. Liberties and limits, creative possibilities and taboos of touch convey insights into the 'aisthesis' of the different forms of dance: into their dynamics and communicative structure, as well as into the production and regulation of affects. Touching and Being Touched assembles seventeen interdisciplinary papers focusing on the question of how forms and practices of touch are connected with the evocation of feelings. Are these feelings evoked in different ways in tango, Contact improvisation, European and Japanese contemporary dance? The contributors to this volume (dance, literature, and film scholars as well as philosophers and neuroscientists) provide in-depth discussions of the modes of transfer between touch and being touched. Drawing on the assumptions of various theories of body, emotion, and senses, how can we interpret the processes of tactile touch and of being touched emotionally? Is there a specific spectrum of emotions activated during these processes (within both the spectator and the dancer)? How can the relationship of movement, touch, and emotion be analyzed in relation to kinesthesia and empathy? 606 $aDance$xPhysiological aspects 606 $aMuscular sense 606 $aTouch$xPhysiological aspects 608 $aElectronic books. 615 0$aDance$xPhysiological aspects. 615 0$aMuscular sense. 615 0$aTouch$xPhysiological aspects. 676 $a152.1/82 701 $aEgert$b Gerko$01054992 701 $aZubarik$b Sabine$01054993 702 $aBrandstetter$b Gabriele 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463839103321 996 $aTouching and being touched$92488044 997 $aUNINA