LEADER 03062nam 2200541 450 001 9910466344603321 005 20190826145055.0 010 $a90-04-33020-8 024 7 $a10.1163/9789004330207 035 $a(CKB)3710000000960146 035 $a(MiAaPQ)EBC4756311 035 $a 2016053250 035 $a(nllekb)BRILL9789004330207 035 $a(EXLCZ)993710000000960146 100 $a20161216h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aOriginal copies in Georges Perec and Andy Warhol /$fby Priya Wadhera 210 1$aLeiden, Netherlands ;$aBoston, [Massachusetts] :$cBrill :$cRodopi,$d2017. 210 4$d©2017 215 $a1 online resource (216 pages) $cillustrations 225 1 $aFaux Titre,$x0167-9392 ;$vVolume 413 311 $a90-04-32617-0 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Introduction -- Copious Beginnings -- Copying in Literature -- Perec and His Copies -- Cabinet as Pastiche -- The Kunstkammer in History and in Cabinet -- The Discourse on Authentication -- Copying in Painting -- Painting in Cabinet -- Trompe-l??il and L??il ébloui (1981) -- From One Canvas to Another -- Intertextuality in Cabinet -- An Immediate Intratextual Source: La Vie mode d?emploi (1978) -- An Intertextual Reference: Pierre Grassou by Balzac (1839) -- An Early Intratextual Source: Le Condottière (1957?60) -- To Copy Is to Create: Menard?s ?Copy? -- The Copy in Warhol: Imitation, Enumeration, and Death -- Copy Play in Perec and Warhol -- Bibliography -- Index. 330 $aPriya Wadhera?s Original Copies in Georges Perec and Andy Warhol is the first book to explore striking similarities between the works of these celebrated figures of the twentieth century. Copies abound in Perec?s ?uvre, where pastiches, paintings, and intertexts dialogue with the history of copying in the past and present, in literature and in art. Both here and in Warhol?s works, the source of the copies is difficult to pinpoint, shrouded in a fog linked to death. This remarkable parallel provides insight into their widely-admired works and a postmodern aesthetic where the original is stripped of its value and the copy reigns supreme. In this study of the original and the copy, Wadhera illuminates the nature of art itself. 410 0$aFaux titre ;$vVolume 413. 606 $aArt$xCopying 606 $aOriginality in art 606 $aOriginality in literature 606 $aArt and literature 608 $aElectronic books. 615 0$aArt$xCopying. 615 0$aOriginality in art. 615 0$aOriginality in literature. 615 0$aArt and literature. 676 $a843.914 700 $aWadhera$b Priya$0984497 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910466344603321 996 $aOriginal copies in Georges Perec and Andy Warhol$92248817 997 $aUNINA