LEADER 04663nam 2200685 450 001 9910466105003321 005 20210112172818.0 010 $a90-04-31486-5 024 7 $a10.1163/9789004314863 035 $a(CKB)3710000000631245 035 $a(EBL)4514088 035 $a(SSID)ssj0001663305 035 $a(PQKBManifestationID)16449737 035 $a(PQKBTitleCode)TC0001663305 035 $a(PQKBWorkID)14909716 035 $a(PQKB)10602762 035 $a(PQKBManifestationID)16332918 035 $a(PQKBWorkID)14909926 035 $a(PQKB)21191123 035 $a(MiAaPQ)EBC4514088 035 $a(nllekb)BRILL9789004314863 035 $a(EXLCZ)993710000000631245 100 $a20160526h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aSilence and absence in literature and music$b[e-book] /$fedited by Werner Wolf, Walter Bernhart 210 1$aLeiden, Netherlands ;$aBoston, [Massachusetts] :$cBrill Rodopi,$d2016. 210 4$d©2016 215 $a1 online resource (265 p.) 225 1 $aWord and Music Studies,$x1566-0958 ;$vVolume 15 300 $aDescription based upon print version of record. 311 $a90-04-31485-7 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rWerner Wolf and Walter Bernhart --$tHow Does Absence Become Significant in Literature and Music? /$rWerner Wolf --$tRosetta Tones: The Score as Hieroglyph /$rLawrence Kramer --$tThe Spectacular Imagination and the Rhetoric of Absence in Armide /$rBlake Stevens --$t?Ghost Writing?: An Exploration of Presence and Absence in Lucia di Lammermoor /$rNaomi Matsumoto --$tHow to Play the Music of Absence? The Romantic Aesthetics of Longing in Schumann?s Kreisleriana, Part 4 /$rLaura Wahlfors --$tMute Performances: Ekphrasis of Music, and Performative Aesthetics in Eyvind Johnson?s Romantisk berättelse /$rBeate Schirrmacher --$tSilence and Music in Mallarmé?s Un coup de dés /$rMary Breatnach --$tSilence and the Sawmill: Rainer Maria Rilke on the Nuisance of Sounding Music /$rAxel Englund --$tThe Inaudible Music of Dada /$rPeter Dayan --$tAbsence, Presence and Potentiality: John Cage?s 4?33? Revisited /$rKarl Katschthaler --$tThe Silence of an Elephant: Luigi Nono?s Al Gran Sole Carico d?Amore (1975) /$rBernhard Kuhn --$tThe Sound of Silence: A Tale of Two Operatic Tempests /$rMichael Halliwell --$tThe Film Musical as a Subject for Word and Music Studies /$rEmily Petermann --$tMusical Form in the Novel: Beyond the Sonata Principle /$rJeppe Klitgaard Stricker --$tNotes on Contributors /$rWerner Wolf and Walter Bernhart. 330 $aThis volume focusses on the rarely discussed reverse side of traditional, ?given? objects of studies, namely absence rather than presence (of text) and silence rather than sound. It does so from the bifocal and interdisciplinary perspective which is a hallmark of the book series Word and Music Studies. The twelve contributors to the main subject of this volume approach it from various systematic and historical angles and cover, among others, questions such as to what extent absence can become significant in the first place or iconic (silent) functions of musical scores, as well as discussions of fields ranging from baroque opera to John Cage?s 4?33?? . The volume is complemented by two contributions dedicated to further surveying the vast field of word and music studies. The essays collected here were originally presented at the Ninth International Conference on Word and Music Studies held at London University in August 2013 and organised by the International Association for Word and Music Studies. They are of relevance to scholars and students of literature, music and intermediality studies as well as to readers generally interested in phenomena of absence and silence. 410 0$aWord and music studies ;$vVolume 15. 606 $aMusic and literature 606 $aSilence in music 606 $aSilence in literature 606 $aAbsence in music 606 $aAbsence in literature 608 $aElectronic books. 615 0$aMusic and literature. 615 0$aSilence in music. 615 0$aSilence in literature. 615 0$aAbsence in music. 615 0$aAbsence in literature. 676 $a780/.08 702 $aWolf$b Werner$f1955- 702 $aBernhart$b Walter 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910466105003321 996 $aSilence and absence in literature and music$92049909 997 $aUNINA