LEADER 03882nam 2200601 450 001 9910466045503321 005 20200923020339.0 010 $a3-11-048865-5 024 7 $a10.1515/9783110490282 035 $a(CKB)3710000001072746 035 $a(MiAaPQ)EBC4812846 035 $a(DE-B1597)468975 035 $a(OCoLC)974590719 035 $a(OCoLC)979783566 035 $a(DE-B1597)9783110490282 035 $a(PPN)202116441 035 $a(Au-PeEL)EBL4812846 035 $a(CaPaEBR)ebr11352367 035 $a(CaONFJC)MIL995446 035 $a(EXLCZ)993710000001072746 100 $a20170307h20172017 uy p 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aPower play in latin love elegy and its multiple forms of continuity in Ovid's metamorphoses /$fJose Manuel Blanco Mayor 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2017. 210 4$dİ2017 215 $a1 online resource (392 pages) 225 1 $aTrends in Classics - Supplementary Volumes,$x1868-4785 ;$vVolume 42 311 $a3-11-048661-X 311 $a3-11-049028-5 320 $aIncludes bibliographical references and indexes. 327 $tFrontmatter -- $tContents -- $t1. The intertextual relations between Ovid?s Metamorphoses and Latin elegy: a critical assessment -- $t2. Methodological considerations -- $t3. Power relations in elegy and ?the elegiac? in Ovid?s Metamorphoses -- $t1. Introduction -- $t2. Insidias legi, magne poeta, tuas: the puella de-codes the text -- $t3. Te mihi materiem felicem in carmina praebe: the puella as subject matter -- $t4. ?The body-text?: the puella as literary work -- $t1. Introduction -- $t2. Asymmetrical love in the Metamorphoses -- $t3. Mutual love in the Metamorphoses: towards the ultimus ardor of Latin elegy -- $tConclusions -- $tBibliography -- $tIndex of Passages Cited -- $tIndex of Names and Subjects 330 $aConceived as a necessary reconsideration of the pristine "elegiac question" in Ovid?s Metamorphoses, this book intends to offer an analysis of the function of elegiac discourse within Ovid?s magnum opus from the perspective of metapoetics. To that end, the author undertakes, in the first section, a close re-reading of some relevant passages of Latin love elegy. From a prism that takes into account the characteristically elegiac multivocality, the genre reveals itself as an agonistic discourse in which the poet dramatises his metaliterary power-relation with the puella, who is unveiled as the synthesis of the distinct sub-products of his poetic activity. Thereupon, the author proceeds to scrutinise how elegiac elements are assimilated and transformed as they become integrated within the framework of Ovid?s poem of changing forms. Far from being a mere stylistic ornament, the presence of an elegiac register in many erotic passages tells us about Ovid?s stance towards love as a metapoetic trope. By reworking elegiac tradition to the point of transforming it into a novum corpus, the poet ultimately substantiates the mutability of generic categories. 410 0$aTrends in classics. Supplementary volumes ;$vVolume 42. 606 $aElegiac poetry, American$xHistory and criticism 606 $aElegiac poetry, American 606 $aElegiac poetry 608 $aElectronic books. 615 0$aElegiac poetry, American$xHistory and criticism. 615 0$aElegiac poetry, American. 615 0$aElegiac poetry. 676 $a811.0093548 700 $aMayor$b Jose Manuel Blanco$01050803 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910466045503321 996 $aPower play in latin love elegy and its multiple forms of continuity in Ovid's metamorphoses$92480899 997 $aUNINA