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L'inventeur de la démocratie$931603 997 $aUNISA LEADER 00829nam0-2200265 --450 001 9910471954903321 005 20210514135657.0 010 $a978-88-336-3203-2 100 $a20210514d2019----kmuy0itay5050 ba 101 0 $aita 102 $aIT 105 $ay 001yy 200 1 $a<>Corte di giustizia dell' Unione Europea$eun motore per l' integrazione dei popoli$fStefania Adriana Bevilacqua 210 $aFirenze$cgoWare$d2019 215 $a115 p.$d20 cm 610 0 $aCorte di giustizia dell'Unione Europea 676 $a347.4012$v22$zita 700 1$aBevilacqua,$bStefania Adriana$0793493 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910471954903321 952 $aEU 99$b3709/2021$fFSPBC 959 $aFSPBC 996 $aCorte di giustizia dell' Unione Europea$91779866 997 $aUNINA LEADER 01090nam 2200373 450 001 9910466013803321 010 $a3-13-203801-6 035 $a(CKB)3710000000819328 035 $a(MiAaPQ)EBC5247387 035 $a(EXLCZ)993710000000819328 100 $a20180220h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aAtlas of arthroscopic anatomy of the major joints /$fCristian Blanco Moreno 210 1$aStuttgart, [Germany] :$cThieme,$d2016. 210 4$d©2016 215 $a1 online resource (204 pages) $ccolor illustrations, photograhs 300 $aIncludes index. 311 $a3-13-203791-5 606 $aArthroscopy$vAtlases 608 $aElectronic books. 615 0$aArthroscopy 676 $a617.4720597 700 $aMoreno$b Cristian Blanco$0946205 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910466013803321 996 $aAtlas of arthroscopic anatomy of the major joints$92137609 997 $aUNINA LEADER 04673nam 2200733 450 001 9910459941403321 005 20200520144314.0 010 $a1-4426-2315-2 024 7 $a10.3138/9781442623156 035 $a(CKB)3710000000329293 035 $a(EBL)4669959 035 $a(SSID)ssj0001420478 035 $a(PQKBManifestationID)12611304 035 $a(PQKBTitleCode)TC0001420478 035 $a(PQKBWorkID)11404062 035 $a(PQKB)11725487 035 $a(MiAaPQ)EBC4669959 035 $a(DE-B1597)465635 035 $a(OCoLC)1013947139 035 $a(OCoLC)944178935 035 $a(DE-B1597)9781442623156 035 $a(Au-PeEL)EBL4669959 035 $a(CaPaEBR)ebr11256473 035 $a(OCoLC)958564925 035 $a(EXLCZ)993710000000329293 100 $a20160920h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPlateaus of freedom $enationality, culture, and state security in Canada, 1940-1960 /$fMark Kristmanson 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2014. 210 4$d©2014 215 $a1 online resource (319 p.) 225 1 $aCanadian Social History Series 300 $aIncludes index. 311 $a0-19-541803-4 327 $tFrontmatter -- $tContents -- $tAcknowledgements -- $tAbbreviations -- $tIntroduction -- $t1. Characterizations of Tracy Philipps -- $t2. Love Your Neighbour: The RCMP and the National Film Board, 1948-1953 -- $t3. Remembering To Forget -- $t4. State Security and Cultural Administration: The Case of Peter Dwyer -- $t5. Pulp History: Repossessing the Gouzenko Myth -- $t6. 'I Came To Sing': Paul Robeson on the Border -- $tConclusion -- $tNotes -- $tIndex 330 $a'Canadians are not accustomed to thinking of censorship, secret intelligence, and propaganda as a single entity. Much less do they consider that these covertly militaristic activities have anything to do with culture.' So writes Mark Krismanson in this important study of the intertwining activities and careers of those involved in Canada's security agencies and in the state-sanctioned culture industry during the delight of the Cold War. The connections between secret intelligence and culture might appear to be merely coincidental. Both the spies and the arts people worked with words, with symbols and hidden meanings, with ideas. They had regular informal luncheons together in Ottawa. Some members of the intelligence community even found careers in the arts. Less than a decade after defecting, the Russian Igor Gouzenko wrote a pulp fiction Cold War spy novel- for which he received a Governor General's award. And Peter Dwyer, Britain's top security official in North America during World War II, was a playwright who after the war worked in Canada's intelligence community before drafting the founding for the Canada Council and becoming its first director. But Plateaus of Freedom details much more than a casual relationship between security and the arts. As Kristmanson demonstrates, 'the censorship-intelligence-propaganda complex that proliferated in Canada after World War II played a counterpoint between national culture and state security, with the result that freedom, especially intellectual freedom, plateaued on the principle of nationality.' The security and cultural policy measures examined here, from the RCMP investigations at the National Film Board that led to numerous firings, to the harassment of the extraordinary African-American singer and Soviet sympathizer Paul Robeson, 'attest to the fragility and the enduring power of art to effect social change'. 410 0$aCanadian social history series. 606 $aPolitics and culture$zCanada$xHistory$y20th century 606 $aArt and state$zCanada$xHistory$y20th century 606 $aInternal security$zCanada$xHistory$y20th century 606 $aIntelligence service$zCanada$xHistory$y20th century 606 $aCold War 607 $aCanada$xCultural policy 607 $aCanada$xIntellectual life$y20th century 607 $aCanada$xPolitics and government$y1945- 608 $aElectronic books. 615 0$aPolitics and culture$xHistory 615 0$aArt and state$xHistory 615 0$aInternal security$xHistory 615 0$aIntelligence service$xHistory 615 0$aCold War. 676 $a971.063 700 $aKristmanson$b Mark$f1960-$0886783 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459941403321 996 $aPlateaus of freedom$91980459 997 $aUNINA LEADER 01051nam a22002773i 4500 001 991000916309707536 005 20040212115738.0 008 040220s1982 it |||||||||||||||||ita 035 $ab12689889-39ule_inst 035 $aARCHE-068824$9ExL 040 $aDip.to Scienze pedagogiche$bita$cA.t.i. 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