LEADER 05252nam 2200661 450 001 9910465971003321 005 20210430195755.0 010 $a3-11-045558-7 010 $a3-11-045650-8 024 7 $a10.1515/9783110456509 035 $a(CKB)3710000000628182 035 $a(EBL)4459610 035 $a(SSID)ssj0001635057 035 $a(PQKBManifestationID)16388025 035 $a(PQKBTitleCode)TC0001635057 035 $a(PQKBWorkID)14918330 035 $a(PQKB)10988484 035 $a(MiAaPQ)EBC4459610 035 $a(DE-B1597)460523 035 $a(OCoLC)945751885 035 $a(DE-B1597)9783110456509 035 $a(PPN)202111849 035 $a(Au-PeEL)EBL4459610 035 $a(CaPaEBR)ebr11177637 035 $a(CaONFJC)MIL908158 035 $a(EXLCZ)993710000000628182 100 $a20160224h20162016 uy| 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aRoman drama and its contexts /$fedited by Stavros Frangoulidis, Stephen J. Harrison and Gesine Manuwald 210 1$aBerlin ;$aBoston :$cDe Gruyter,$d[2016] 210 4$dİ2016 215 $a1 online resource (638 p.) 225 1 $aTrends in classics--supplementary volumes ;$vvolume 34 300 $aDescription based upon print version of record. 311 $a3-11-058068-3 311 $a3-11-045557-9 320 $aIncludes bibliographical references and indexes. 327 $tFront matter --$tPreface --$tTable of Contents --$tIntroduction: Roman Drama and its Contexts --$tSome Dramatic Terminology --$tBacchus in Roman Drama --$tSpeculating in Unreal Estate: Locution, Locution, Locution --$tThe Kings of Comedy --$tGenre and Social Class, or Comedy and the Rhetoric of Self-aggrandisement and Self-deprecation --$tSententiousness in Roman Comedy ? A Moralising Reading --$tPlautus? Aulularia and Popular Narrative Tradition --$tPlautus Undoing Himself ? What is Funny and What is Plautine in Stichus and Trinummus? --$tPrologues between Performance and Fiction --$tAll?s Well That Ends Well? Old Fools, Morality, and Epilogues in Plautus --$tPlautus? Curculio and the Case of the Pious Pimp --$tThe Young Man in Plautus? Asinaria 127?248 --$tCivic Reassignment of Space in the Truculentus --$tNothing to do with Fides? The Speaker of the Prologue and the Reproduction of Citizenship in Plautus? Casina --$tSymmetrical Recognitions in Plautus? Epidicus --$tBasket Case: Material Girl and Animate Object in Plautus?s Cistellaria --$tElements of Pantomime in Plautus? Comedies --$tHistory and Philosophy in Roman Republican Drama and Beyond --$tMusic in Roman Tragedy --$tSeneca, Horace and the Poetics of Transgression --$tTragic Translatio: Epistle 107 and Senecan Tragedy --$tSeneca?s Agamemnon: Mycenaean Becoming Trojan --$tWhen Reason Surrenders its Authority: Thyestes? Approach to Atreus? Palace --$tHistory as Intertext and Intertext as History in the Octavia --$tTerence and Satire --$tHow to Do Things with Words ? and Pictures: Text and Image in the Parisian Terence --$tIs the Story of Susanna and the Elders Based on a Greek New Comedy? --$tTerence?s Comedies in the Terentius Christianus: The Case of Naaman --$tPetronian Spectacles: The Widow of Ephesus Generically Revisited --$tFuror and Kin(g)ship in Seneca?s Thyestes and Valerius Flaccus? Argonautica (1.700?850) --$tNoises Off: The Thyestes Theme in Tacitus? Dialogus --$tSeneca?s Ted Hughes --$tSeneca?s Thyestes: Three Female Translators into English --$tNotes on Contributors --$tGeneral Index --$tIndex locorum 330 $aRoman plays have been well studied individually (even including fragmentary or spurious ones more recently). However, they have not always been placed into their ?context?, though plays (just like items in other literary genres) benefit from being seen in context. This edited collection aims to address this issue: it includes 33 contributions by an international team of scholars, discussing single plays or Roman dramatic genres (including comedy, tragedy and praetexta, from both the Republican and imperial periods) in contexts such as the literary tradition, the relationship to works in other literary genres, the historical and social situation, the intellectual background or the later reception. Overall, they offer a rich panorama of the role of Roman drama or individual plays in Roman society and literary history. The insights gained thereby will be of relevance to everyone interested in Roman drama or literature more generally, comparative literature or drama and theatre studies. This contextual approach has the potential of changing the way in which Roman drama is viewed. 410 0$aTrends in classics.$pSupplementary volumes ;$vv. 34. 606 $aLatin drama$xHistory and criticism 608 $aElectronic books. 615 0$aLatin drama$xHistory and criticism. 676 $a872/.0109 702 $aFrangoulidis$b Stavros A. 702 $aHarrison$b S. J. 702 $aManuwald$b Gesine 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465971003321 996 $aRoman drama and its contexts$92467858 997 $aUNINA