LEADER 02358nam 2200613Ia 450 001 9910465942903321 005 20191030193400.0 010 $a0-253-00485-3 010 $a1-282-97580-3 010 $a9786612975806 035 $a(CKB)2560000000069645 035 $a(SSID)ssj0000457205 035 $a(PQKBManifestationID)11305396 035 $a(PQKBTitleCode)TC0000457205 035 $a(PQKBWorkID)10415045 035 $a(PQKB)11279805 035 $a(MiAaPQ)EBC624327 035 $a(OCoLC)695994119 035 $a(MdBmJHUP)muse1836 035 $a(Au-PeEL)EBL624327 035 $a(CaPaEBR)ebr10437995 035 $a(CaONFJC)MIL297580 035 $a(OCoLC)694729253 035 $a(EXLCZ)992560000000069645 100 $a20100419d2010 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBeyond Dolby (stereo)$b[electronic resource] $ecinema in the digital sound age /$fMark Kerins 210 $aBloomington $cIndiana University Press$d2010 215 $aix, 378 p. $cill 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-253-35546-X 311 $a0-253-22252-4 320 $aIncludes bibliographical references, filmography and index. 327 $aIntroduction -- Production and style. Cinema's hidden multi-channel history and the origins of digital surround -- The sound of 5.1 : aural aesthetics -- The look of 5.1 : visual aesthetics -- Decoding the digital surround style -- Using the digital surround style -- Analysis. Studying multi-channel soundtracks -- Studying image/sound interactions -- Theory. Body and voice -- Apparatus theory -- The real and the symbolic -- Conclusion : media and media studies in the digital surround age. 606 $aComputer sound processing 606 $aSound motion pictures 606 $aSound$xRecording and reproducing$xDigital techniques 608 $aElectronic books. 615 0$aComputer sound processing. 615 0$aSound motion pictures. 615 0$aSound$xRecording and reproducing$xDigital techniques. 676 $a791.4302/4 700 $aKerins$b Mark$01033237 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465942903321 996 $aBeyond Dolby (stereo)$92451653 997 $aUNINA