LEADER 02905nam 2200517 450 001 9910465926703321 005 20190716082020.0 010 $a90-04-32455-0 024 7 $a10.1163/9789004324558 035 $a(CKB)3710000000836718 035 $a(MiAaPQ)EBC5024424 035 $a(OCoLC)951724345 035 $a(nllekb)BRILL9789004324558 035 $a(PPN)174388470 035 $a(EXLCZ)993710000000836718 100 $a20171012h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aFrom face to face $erecarving of Roman portraits and the late-antique portrait arts /$fby Marina Prusac Ph.D., University of Oslo 205 $aSecond revised edition 210 1$aLeiden, [Netherlands] ;$aBoston, [Massachusetts] :$cBrill,$d2016. 210 4$dİ2016 215 $a1 online resource (381 pages) $cillustrations, maps 225 1 $aMonumenta Graeca et Romana,$x0169-8850 ;$vVolume 18 311 $a90-04-32184-5 320 $aIncludes bibliographical references and indexes. 327 $aIntroduction : the history of sculpture reuse and related problems -- The reuse of sculpture and recarving of portraits -- Statistical analyses -- The 1st-2nd centuries CE and the damnatio memoriae portraits -- The Third century CE -- Late antiquity and the emergence of new visual expressions -- Recarving methods -- Classifications -- Social aspects -- Conclusions : oblivion and reinvention -- Summary -- Map with portrait provinces -- The Roman imperial succession until Justinian I -- Calalogue of recarved portraits -- Bibliography. 330 8 $aThis book is based on an investigation of more than five hundred recarved portraits. It includes analyses of different recarving methods, some of which can be attributed to geographically localised workshops. The different recarving methods have made it possible to suggest classifiable categories, which together underpin a hypothesis that the late-antique portrait style is a consequence of the many recarved portraits at the time. The practice of portrait recarving emerged due to economic, political, religious and ideological factors, and was influenced by the cultural-historical changes of Late Antiquity. The conclusion gives a new understanding of how wide-ranging, culturally and politically encoded and comprehensive the practice of recarving was. 410 0$aMonumenta Graeca et Romana ;$vVolume 18. 606 $aPortrait sculpture, Roman 606 $aAltered sculptures 608 $aElectronic books. 615 0$aPortrait sculpture, Roman. 615 0$aAltered sculptures. 676 $a733/.5 700 $aPrusac$b Marina$0892651 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465926703321 996 $aFrom face to face$92146878 997 $aUNINA