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200 10$aDigital signatures $ethe impact of digitization on popular music sound /$fRagnhild Brøvig-Hanssen and Anne Danielsen
210  1$aCambridge, Massachusetts :$cMIT Press,$d2016.
215   $a1 online resource (199 p.)
300   $aDescription based upon print version of record.
311   $a0-262-03414-X 
320   $aIncludes bibliographical references and index.
327   $aIntroduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era.
330   $aHow sonically distinctive digital "signatures"--Including reverb, glitches, and autotuning -- affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others.
606   $aPopular music$xPhilosophy and aesthetics
606   $aPopular music$xProduction and direction
606   $aSound$xRecording and reproducing$xDigital techniques
608   $aElectronic books.
615  0$aPopular music$xPhilosophy and aesthetics.
615  0$aPopular music$xProduction and direction.
615  0$aSound$xRecording and reproducing$xDigital techniques.
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