LEADER 04601nam 2200625 450 001 9910465852103321 005 20200520144314.0 010 $a1-4529-4906-9 010 $a1-4529-3996-9 035 $a(CKB)3710000000217741 035 $a(EBL)1762169 035 $a(SSID)ssj0001289513 035 $a(PQKBManifestationID)11793384 035 $a(PQKBTitleCode)TC0001289513 035 $a(PQKBWorkID)11230280 035 $a(PQKB)11092398 035 $a(MiAaPQ)EBC1762169 035 $a(OCoLC)886539900 035 $a(MdBmJHUP)muse41634 035 $a(Au-PeEL)EBL1762169 035 $a(CaPaEBR)ebr10906491 035 $a(CaONFJC)MIL635756 035 $a(EXLCZ)993710000000217741 100 $a20140827h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPhotographic architecture in the twentieth century /$fClaire Zimmerman 210 1$aMinneapolis, Minnesota :$cUniversity of Minnesota Press,$d2014. 210 4$dİ2014 215 $a1 online resource (408 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-8334-4 311 $a0-8166-8335-2 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: -- Contents -- Preface -- Acknowledgments -- Introduction. Beyond Visibility: Modern Architecture in the Photographic Image -- I. Architecture after Photography -- 1. Bildarchitekturen: Architectural Surface, circa 1914 -- 2. Photography into Building: Mies in Barcelona -- 3. Architectural Abstraction: The Tugendhat Photographs -- II. Architects and Architectural Photographs -- 4. Type-Photo: Architectural Photography in Germany -- 5. Aura Deferred: Bauhausbauten Dessau -- 6. The Future in the Present: Erscheinungsform and "The Dwelling," 1927 -- III. Imageability -- 7. Promise and Threat: American Photographs in Postwar Germany -- 8. The Photographic Architecture of Hunstanton School -- 9. From Photographic Surface to Image Object: James Stirling's Postmodernism -- Conclusion: Surface Divides -- Notes -- Bibliography -- Index. 330 $a" One hundred years ago, architects found in the medium of photography--so good at representing a building's lines and planes--a necessary way to promote their practices. It soon became apparent, however, that photography did more than reproduce what it depicted. It altered both subject and reception, as architecture in the twentieth century was enlisted as a form of mass communication. Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her "picture anthropology" demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up "photographic architecture," Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture--transforming how we see the world and how we act on it. "--$cProvided by publisher. 606 $aArchitecture and photography 606 $aArchitectural photography$xHistory$y20th century 606 $aArchitecture, Modern$y20th century 608 $aElectronic books. 615 0$aArchitecture and photography. 615 0$aArchitectural photography$xHistory 615 0$aArchitecture, Modern 676 $a720.1/08 700 $aZimmerman$b Claire$f1961-$0503938 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465852103321 996 $aPhotographic architecture in the twentieth century$91772364 997 $aUNINA