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100   $a20050307d2006      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aRecognition in Mozart's operas$b[electronic resource] /$fJessica Waldoff
210   $aNew York $cOxford University Press$d2006
215   $a1 online resource (350 p.)
300   $aDescription based upon print version of record.
311   $a0-19-515197-6 
311   $a0-19-987038-1 
320   $aIncludes bibliographical references (p. [313]-324) and index.
327   $aOperatic enlightenment in Die Zauberflo?te -- Recognition scenes in theory and practice -- Reading opera for the plot -- Sentimental knowledge in La finta giardiniera -- Recognition denied in Don Giovanni -- Sense and sensibility in Cosi fan tutte -- Fiordiligi : a woman of feeling -- The sense of the ending in La clemenza di Tito.
330 8 $a'Recognition in Mozart's Operas' is a thoughful treatise that uses both literary and musicological methods to illuminate some of Mozart's best-loved operas. Waldoff argues that, rather than offering the simple happy endings or tragic climaxes of 'easier' operas, many of Mozart's work features scenes of recognition-moments.
606   $aOpera$y18th century
608   $aElectronic books.
615  0$aOpera
676   $a782.1/092
700   $aWaldoff$b Jessica Pauline$f1964-$0988103
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910465828603321
996   $aRecognition in Mozart's operas$92259524
997   $aUNINA