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101 0 $aeng
135   $aur|||||||||||
181   $ctxt
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200 10$aFantasy pieces$b[electronic resource] $emetrical dissonance in the music of Robert Schumann /$fHarald Krebs
210   $aNew York $cOxford University Press$d1999
215   $a1 online resource (305 p.)
300   $aDescription based upon print version of record.
311   $a0-19-511623-2 
311   $a0-19-987130-2 
320   $aIncludes bibliographical references (p. 275-281), glossary, list of cited works, and index.
327   $aNineteenth- and twentieth-century theories of metrical conflict -- Metrical consonance and dissonance : definitions and taxonomy -- Intermezzo I: Influences on Schumann's metrical style -- Metrical progressions and processes -- Intermezzo II: Metrical revisions -- Interactions of metrical dissonance with pitch structure, form, nd extramusical elements -- Intermezzo III: Performing metrical dissonances -- Carnaval des analyses -- Epilogue: Morning song.
330 8 $aThis volume presents a theory of metrical conflict and applies it to the music of Robert Schumann, thereby placing that composer's distinctive metrical style in focus. Krebs describes categories of metrical conflict that characterize the music of Schumann and studies the interaction of metrical conflict with form, pitch structure, and text.
606   $aMusical meter and rhythm
608   $aElectronic books.
615  0$aMusical meter and rhythm.
676   $a781.2/26/092
700   $aKrebs$b Harald$f1955-$0950825
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