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100   $a19940103d1995      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe power of Black music$b[electronic resource] $einterpreting its history from Africa to the United States /$fSamuel A. Floyd, Jr
210   $aNew York $cOxford University Press$dc1995
215   $a1 online resource (421 p.)
300   $aDescription based upon print version of record.
311   $a0-19-508235-4 
311   $a0-19-985324-X 
320   $aIncludes bibliographical references (p. 279-295), discography (p. 297-304), filmography (p. 305), and index.
327   $aCover Page; Title Page; Copyright Page; Dedication; Contents; Introduction; 1: African Music, Religion, and Narrative; 2: Transformations; 3: Syncretization and Synthesis: Folk and Written Traditions; 4: African-American Modernism, Signifyin(g), and Black Music; 5: The Negro Renaissance: Harlem and Chicago Flowerings; 6: Transitions: Function and Difference in Myth and Ritual; 7: Continuity and Discontinuity: The Fifties; 8: The Sixties and After; 9: Troping the Blues: From Spirituals to the Concert Hall; 10: The Object of Call-Response: The Signifyin(g) Symbol
327   $a11: Implications and ConclusionsAppendix; Printed Works Cited; Sound Recordings Cited; Films and Videotapes Cited; Index; Footnotes
330   $aWhen Jimi Hendrix transfixed the crowds of Woodstock with his gripping  version of ""The Star Spangled Banner,"" he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues traditionbefore him. But in its unforgettable introduction, followed by his unaccompanied ""talking"" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a traditionrooted in
606   $aAfrican Americans$xMusic$xHistory and criticism
606   $aMusic$zUnited States$xHistory and criticism
608   $aElectronic books.
615  0$aAfrican Americans$xMusic$xHistory and criticism.
615  0$aMusic$xHistory and criticism.
676   $a780.8996073
676   $a781.6296073
700   $aFloyd$b Samuel A$0628646
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910465816703321
996   $aThe power of Black music$92117901
997   $aUNINA