LEADER 02957nam  2200589Ia 450 
001 9910465808403321
005 20200520144314.0
010   $a1-280-53044-8
010   $a1-4294-0384-5
010   $a0-19-535185-1
035   $a(CKB)2560000000296424
035   $a(EBL)272810
035   $a(OCoLC)466428092
035   $a(SSID)ssj0000107375
035   $a(PQKBManifestationID)11128747
035   $a(PQKBTitleCode)TC0000107375
035   $a(PQKBWorkID)10008943
035   $a(PQKB)10521937
035   $a(StDuBDS)EDZ0000023660
035   $a(MiAaPQ)EBC272810
035   $a(Au-PeEL)EBL272810
035   $a(CaPaEBR)ebr10269079
035   $a(CaONFJC)MIL53044
035   $a(EXLCZ)992560000000296424
100   $a19990603d2000      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe atonal music of Arnold Schoenberg, 1908-1923$b[electronic resource] /$fBryan R. Simms
210   $aNew York $cOxford University Press$d2000
215   $a1 online resource (276 p.)
300   $aDescription based upon print version of record.
311   $a0-19-512826-5 
311   $a0-19-984884-X 
320   $aIncludes bibliographical references (p. 223-257) and index.
327   $aContents; Abbreviations; Chapter 1 Atonality and the Critical Imagination; Chapter 2 Schoenberg's Evolution toward Atonality; Chapter 3 Settings of the Poetry of Stefan George: Opp. 10, 14, and 15; Chapter 4 Small Instrumental Works: Opp. 11, 16, and 19 and Three Pieces for Chamber Orchestra; Chapter 5 The Operas Erwartung and Die glu?ckliche Hand; Chapter 6 New Uses of the Voice: Herzgewa?chse, Pierrot lunaire, and Four Songs, Op. 22; Chapter 7 On the Road from Earth to Heaven: Symphony and Die Jakobsleiter; Chapter 8 Composing with Tones: Five Piano Pieces, Op. 23, and Serenade, Op. 24
327   $aGlossaryNotes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z
330   $aBetween 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire andErwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new and richer understanding of Schoenberg's seminal work during thisperiod.
606   $aAtonality
608   $aElectronic books.
615  0$aAtonality.
676   $a780/.92
700   $aSimms$b Bryan R$0946670
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910465808403321
996   $aThe atonal music of Arnold Schoenberg, 1908-1923$92138872
997   $aUNINA