LEADER 03491nam  2200649Ia 450 
001 9910465799103321
005 20200520144314.0
010   $a0-19-532764-0
010   $a1-281-76966-5
010   $a9786611769666
010   $a0-19-971665-X
035   $a(CKB)2560000000296511
035   $a(EBL)415114
035   $a(OCoLC)476240125
035   $a(SSID)ssj0000110058
035   $a(PQKBManifestationID)11127732
035   $a(PQKBTitleCode)TC0000110058
035   $a(PQKBWorkID)10059688
035   $a(PQKB)11552605
035   $a(StDuBDS)EDZ0000023698
035   $a(MiAaPQ)EBC415114
035   $a(Au-PeEL)EBL415114
035   $a(CaPaEBR)ebr10254352
035   $a(CaONFJC)MIL176966
035   $a(EXLCZ)992560000000296511
100   $a20080214d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aBehind the curtain$b[electronic resource] $emaking music in Mumbai's film studios /$fGregory D. Booth
210   $aOxford ;$aNew York $cOxford University Press$d2008
215   $a1 online resource (332 p.)
300   $aDescription based upon print version of record.
311   $a0-19-532763-2 
311   $a0-19-985205-7 
320   $aIncludes bibliographical references (p. 295-303) and index.
327   $aContents; Introduction: Who Is Anthony Gonsalves?; Part I: History, Technology, and a Determinist Milieu for Hindi Film Song; 1 Popular Music as Film Music; 2 Musicians and Technology in the Mumbai Film-Music Industry; 3 Changing Structures in the Mumbai Film Industry; Part II: The Life of Music in the Mumbai Film Industry; 4 Origins, Training, and ""Joining the Line""; 5 Roles, Relations, and the Creative Process; 6 Rehearsals, Recordings, and Economics; Part III: Music, Instruments, and Meaning from Musicians' Perspectives
327   $a7 Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming8 Issues of Style, Genre, and Value in Mumbai Film Music; Conclusion: Oral History, Change, and Accounts of Human Agency; Notes; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y
330   $aIntroduction - Who is Anthony Gonsalves?  Part One - History, Technology, and a Determinist Milieu for Hindi Film Song   1. Popular Music as Film Music   3. Changing Structures in the Mumbai Film Industry  Part Two - The Life of Music in the Mumbai Film Industry   4. Origins, Training, and ""Joining the Line""  5. Roles, Relations, and the Creative Process  6. Rehearsals, Recordings, and Economics  Part Three - Music, Instruments, and Meaning from Musicians' Perspectives   7. Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming  8. Issues of Style, Genre, and V
606   $aMotion picture music$xProduction and direction$zIndia$zBombay$xHistory
606   $aMotion picture music$zIndia$zBombay$xHistory and criticism
606   $aMotion picture industry$zIndia$zBombay$xHistory
608   $aElectronic books.
615  0$aMotion picture music$xProduction and direction$xHistory.
615  0$aMotion picture music$xHistory and criticism.
615  0$aMotion picture industry$xHistory.
676   $a781.5
700   $aBooth$b Gregory D$0913162
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910465799103321
996   $aBehind the curtain$92045642
997   $aUNINA