LEADER 03491nam 2200649Ia 450 001 9910465799103321 005 20200520144314.0 010 $a0-19-532764-0 010 $a1-281-76966-5 010 $a9786611769666 010 $a0-19-971665-X 035 $a(CKB)2560000000296511 035 $a(EBL)415114 035 $a(OCoLC)476240125 035 $a(SSID)ssj0000110058 035 $a(PQKBManifestationID)11127732 035 $a(PQKBTitleCode)TC0000110058 035 $a(PQKBWorkID)10059688 035 $a(PQKB)11552605 035 $a(StDuBDS)EDZ0000023698 035 $a(MiAaPQ)EBC415114 035 $a(Au-PeEL)EBL415114 035 $a(CaPaEBR)ebr10254352 035 $a(CaONFJC)MIL176966 035 $a(EXLCZ)992560000000296511 100 $a20080214d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBehind the curtain$b[electronic resource] $emaking music in Mumbai's film studios /$fGregory D. Booth 210 $aOxford ;$aNew York $cOxford University Press$d2008 215 $a1 online resource (332 p.) 300 $aDescription based upon print version of record. 311 $a0-19-532763-2 311 $a0-19-985205-7 320 $aIncludes bibliographical references (p. 295-303) and index. 327 $aContents; Introduction: Who Is Anthony Gonsalves?; Part I: History, Technology, and a Determinist Milieu for Hindi Film Song; 1 Popular Music as Film Music; 2 Musicians and Technology in the Mumbai Film-Music Industry; 3 Changing Structures in the Mumbai Film Industry; Part II: The Life of Music in the Mumbai Film Industry; 4 Origins, Training, and ""Joining the Line""; 5 Roles, Relations, and the Creative Process; 6 Rehearsals, Recordings, and Economics; Part III: Music, Instruments, and Meaning from Musicians' Perspectives 327 $a7 Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming8 Issues of Style, Genre, and Value in Mumbai Film Music; Conclusion: Oral History, Change, and Accounts of Human Agency; Notes; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y 330 $aIntroduction - Who is Anthony Gonsalves? Part One - History, Technology, and a Determinist Milieu for Hindi Film Song 1. Popular Music as Film Music 3. Changing Structures in the Mumbai Film Industry Part Two - The Life of Music in the Mumbai Film Industry 4. Origins, Training, and ""Joining the Line"" 5. Roles, Relations, and the Creative Process 6. Rehearsals, Recordings, and Economics Part Three - Music, Instruments, and Meaning from Musicians' Perspectives 7. Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming 8. Issues of Style, Genre, and V 606 $aMotion picture music$xProduction and direction$zIndia$zBombay$xHistory 606 $aMotion picture music$zIndia$zBombay$xHistory and criticism 606 $aMotion picture industry$zIndia$zBombay$xHistory 608 $aElectronic books. 615 0$aMotion picture music$xProduction and direction$xHistory. 615 0$aMotion picture music$xHistory and criticism. 615 0$aMotion picture industry$xHistory. 676 $a781.5 700 $aBooth$b Gregory D$0913162 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465799103321 996 $aBehind the curtain$92045642 997 $aUNINA LEADER 03242oam 2200661I 450 001 9910786511203321 005 20200520144314.0 010 $a0-429-10845-1 010 $a1-56881-580-8 024 7 $a10.1201/b11857 035 $a(CKB)3710000000220395 035 $a(EBL)1633126 035 $a(SSID)ssj0001111028 035 $a(PQKBManifestationID)12459648 035 $a(PQKBTitleCode)TC0001111028 035 $a(PQKBWorkID)11128659 035 $a(PQKB)11454888 035 $a(MiAaPQ)EBC1633126 035 $a(Au-PeEL)EBL1633126 035 $a(CaPaEBR)ebr11167281 035 $a(OCoLC)876280403 035 $a(PPN)17470464X 035 $a(EXLCZ)993710000000220395 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aComputer graphics $etheory and practice /$fby Jonas Gomes, Luiz Velho and Mario Costa Sousa 205 $aFirst edition. 210 1$aBoca Raton, FL :$cA K Peters/CRC Press, an imprint of Taylor and Francis,$d2012. 215 $a1 online resource (554 p.) 300 $a"An A K Peters Book." 311 $a1-4398-6557-4 320 $aIncludes bibliographical references. 327 $aFront Cover; Dedication; Contents; Foreword; About the Cover; Preface; 1. Introduction; 2. Geometry; 3. Coordinates; 4. The Space of Rotations; 5. Color; 6. Image; 7. Planar Graphics Objects; 8. Spatial Graphics Objects; 9. Hierarchies; 10. Geometric Modeling; 11. Virtual Camera; 12. Clipping; 13. Visibility; 14. Illumination; 15. Rasterization; 16. Mappings; 17. Composition; 18. Radiometry and Photometry; 19. The Illumination Equation; Bibliography 330 3 $aComputer Graphics: Theory and Practice provides a complete and integrated introduction to this area. The book only requires basic knowledge of calculus and linear algebra, making it an accessible introductory text for students. It focuses on conceptual aspects of computer graphics, covering fundamental mathematical theories and models and the inherent problems in implementing them. In so doing, the book introduces readers to the core challenges of the field and provides suggestions for further reading and studying on various topics. For each conceptual problem described, solution strategies are compared and presented in algorithmic form. This book, along with its companion Design and Implementation of 3D Graphics Systems, gives readers a full understanding of the principles and practices of implementing 3D graphics systems. 606 $aComputer graphics 606 $aMicrocomputers$xProgramming 606 $aImage processing$xMathematics 606 $aC (Computer program language) 615 0$aComputer graphics. 615 0$aMicrocomputers$xProgramming. 615 0$aImage processing$xMathematics. 615 0$aC (Computer program language) 676 $a006.6 686 $aCOM012000$aTEC019000$2bisacsh 700 $aGomes$b Jonas$0755637 702 $aCosta Sousa$b Mario$f1967- 702 $aVelho$b Luiz 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786511203321 996 $aComputer graphics$93824457 997 $aUNINA