LEADER 04151nam 2200649Ia 450 001 9910465793903321 005 20200520144314.0 010 $a9786611868208 010 $a0-19-972321-4 010 $a1-281-86820-5 035 $a(CKB)2560000000296404 035 $a(EBL)415926 035 $a(OCoLC)467183192 035 $a(SSID)ssj0000210576 035 $a(PQKBManifestationID)11189874 035 $a(PQKBTitleCode)TC0000210576 035 $a(PQKBWorkID)10283798 035 $a(PQKB)10315923 035 $a(StDuBDS)EDZ0000072409 035 $a(MiAaPQ)EBC415926 035 $a(PPN)232712166 035 $a(Au-PeEL)EBL415926 035 $a(CaPaEBR)ebr10263671 035 $a(CaONFJC)MIL186820 035 $a(EXLCZ)992560000000296404 100 $a20071012d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe new music theater$b[electronic resource] $eseeing the voice, hearing the body /$fEric Salzman and Thomas Desi 210 $aOxford ;$aNew York $cOxford University Press$d2008 215 $a1 online resource (417 p.) 300 $aDescription based upon print version of record. 311 $a0-19-509936-2 311 $a0-19-986473-X 320 $aIncludes bibliographical references (p. [377]-381) and index. 327 $aContents; Preface; Introduction: What Is Music Theater?; part i: Music in Music Theater; Chapter 1: The Voice; Chapter 2: Where the Sound Comes From; entr'acte i: Is there such a thing as progress in opera or music theater?; Chapter 3: The Music; part ii: Theater in Music Theater; Chapter 4: Cultural Narratives and Performance Institutions; entr'acte ii: A woman's earring, a diamond necklace, a knee, a yogi in meditation, drawing, a mahout looking after an elephant: the language of Kathakali; Chapter 5: Text; Chapter 6: Visual Strategies; Chapter 7: Space 327 $aentr'acte iii: A theater of warm bodies?part iii: Putting It All Together: La Mise en Sce?ne; Chapter 8: The American Eccentrics; Chapter 9: Music Theater as Musiktheater; Chapter 10: From the Homeland: Teatro Musicale; Chapter 11: The?a?tre Musical; Chapter 12: Music Theater in Northern Europe; entr'acte iv: The art form that never happened; Chapter 13: Downtown; Chapter 14: Minimalism and Music Theater; Chapter 15: The Show Must Go On; Chapter 16: The Art of the In-Between; Chapter 17: Extended Voice; Chapter 18: New Media and Music Theater; entr'acte v: . . . and how did you like it? 327 $apart iv: After the Show: Taking It ApartChapter 19: Toward a Theory of the New Music Theater; Chapter 20: Notation versus Improvisation?; Chapter 21: Popular or High Art?; Chapter 22: Is Anyone Listening?; Appendix I: A Quick Summary of the History of Music Theater; Appendix II: Selected Reading; Appendix III: Some Festivals and Performance Institutions; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z 330 $aIntroduction: What is Music Theater? Part I: Music in Music Theater 1. The Voice 2. Where the Sound Comes From 3. The Music Entr'acte I: Is there such a thing as progress in music and music theater? Part II: Theater in Music Theater 4. Theater, Music, and Culture 5. Text Entr'acte II: The Language of Kathakali 6. Visual Strategies 7. Space Entr'acte III: A Theater of Warm Bodies? Part III: Putting it all together: La Mise en Scene 8. The American Eccentrics 9. Germany and Austria 10. The Italians Entr'acte IV: The In Between 11. Music Theater in France 12. Great Brita 606 $aMusic theater$y20th century$xHistory and criticism 606 $aDrama$y20th century$xHistory and criticism 608 $aElectronic books. 615 0$aMusic theater$xHistory and criticism. 615 0$aDrama$xHistory and criticism. 676 $a792.6 700 $aSalzman$b Eric$01056420 701 $aDe?zsy$b Thomas$f1967-$01056421 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465793903321 996 $aThe new music theater$92490763 997 $aUNINA