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181   $ctxt
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200 10$aDvor?a?k to Duke Ellington$b[electronic resource] $ea conductor explores America's music and its African American roots /$fMaurice Peress
210   $aOxford ;$aNew York $cOxford University Press$d2004
215   $a1 online resource (265 p.)
300   $aDescription based upon print version of record.
311   $a0-19-518071-2 
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320   $aIncludes discography (p. 241-242), bibliographical references (p. 243-244), and index.
327   $aAntonin Dvor?a?k comes to America -- America and Negro music -- Dvor?a?k's symphony "From the New World" -- The Chicago World's Columbian Exposition of 1893 -- The National Conservatory of Music of America -- Paul Laurence Dunbar, Clorilindy, and "The talented tenth" -- James Reese Europe -- George Gershwin and African American music -- Leonard Bernstein -- Gershwin's "Rhapsody in blue" -- The Clef Club concert -- Will Marion Cook -- George Antheil's "Ballet me?canique" -- Bernstein's Mass -- Duke Ellington -- Ellington's "Queenie pie" -- Ellington's "Black, brown and beige".
330 8 $aProminent symphony conductor Maurice Peress describes his career conducting the premiers of such works as Leonard Bernstein's 'Mass' & Duke Ellington's 'Queenie Pie'. He traces the great impact of African American music on American music, beginning with the work of Antonin Dvor?a?k.
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