LEADER 02762nam 2200637 a 450 001 9910465751703321 005 20200520144314.0 010 $a1-283-41169-5 010 $a9786613411693 010 $a1-57233-770-2 035 $a(CKB)2560000000079365 035 $a(EBL)834996 035 $a(OCoLC)772845097 035 $a(SSID)ssj0000636487 035 $a(PQKBManifestationID)11354202 035 $a(PQKBTitleCode)TC0000636487 035 $a(PQKBWorkID)10661523 035 $a(PQKB)10827331 035 $a(MiAaPQ)EBC834996 035 $a(OCoLC)835518961 035 $a(MdBmJHUP)muse18493 035 $a(Au-PeEL)EBL834996 035 $a(CaPaEBR)ebr10527300 035 $a(CaONFJC)MIL341169 035 $a(EXLCZ)992560000000079365 100 $a20120214d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe hippies and American values$b[electronic resource] /$fTimothy Miller 205 $a2nd ed. 210 $aKnoxville $cUniversity of Tennessee Press$d2011 215 $a1 online resource (193 p.) 300 $aDescription based upon print version of record. 311 $a1-57233-817-2 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Introduction to the Second Edition; Chapter 1: The Ethics of Dope; Chapter 2: The Ethics of Sex; Chapter 3: The Ethics of Rock; Chapter 4: The Ethics of Community; Chapter 5: Forward on All Fronts: The Ethics of Cultural Opposition; Chapter 6: Legacy; Notes; Bibliography; Index 330 $a"Turn on, tune in, drop out," Timothy Leary advised young people in the 1960's. And many did, creating a counterculture built on drugs, rock music, sexual liberation, and communal living. The hippies preached free love, promoted flower power, and cautioned against trusting anyone over thirty. Eschewing money, materialism, and politics, they repudiated the mainstream values of the times. Along the way, these counter culturists created a lasting legacy and inspired long-lasting social changes. The Hippies and American Values uses an innovative approach to exploring the tenets 606 $aHippies$zUnited States$xHistory 606 $aSubculture$zUnited States$xHistory 607 $aUnited States$xMoral conditions 607 $aUnited States$xSocial conditions$y1960-1980 608 $aElectronic books. 615 0$aHippies$xHistory. 615 0$aSubculture$xHistory. 676 $a305.5/68 700 $aMiller$b Timothy$f1944-$0790544 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465751703321 996 $aThe hippies and American values$92442354 997 $aUNINA LEADER 05497nam 2200721Ia 450 001 9910954781103321 005 20200520144314.0 010 $a9781283954013 010 $a128395401X 010 $a9781780429588 010 $a1780429584 035 $a(CKB)2670000000181049 035 $a(EBL)915244 035 $a(OCoLC)793511502 035 $a(SSID)ssj0000660947 035 $a(PQKBManifestationID)12209099 035 $a(PQKBTitleCode)TC0000660947 035 $a(PQKBWorkID)10724123 035 $a(PQKB)11440302 035 $a(Au-PeEL)EBL915244 035 $a(CaPaEBR)ebr10621968 035 $a(CaONFJC)MIL426651 035 $a(MiAaPQ)EBC915244 035 $a(PPN)197278159 035 $a(FR-PaCSA)88835863 035 $a(FRCYB88835863)88835863 035 $a(EXLCZ)992670000000181049 100 $a20050227d2004 ky 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe art of the shoe /$fMarie-Josephe Bossan 205 $a1st ed. 210 $aNew York $cParkstone$d2004 215 $a1 online resource (273 pages) $cillustrations 225 0$aTemporis collection 300 $aDescription based upon print version of record. 311 0 $a9781859958032 311 0 $a1859958036 320 $aIncludes bibliographical references. 327 $aContents; Introduction; The Shoe: Object of Civilization and Object of Art; From Antiquity up to our days; Prehistory; Antiquity; The Shoe in Ancient Eastern Civilizations; Ancient Egypt; The Bible: The Shoe in the Old Testament; The Shoe in the New Testament:; The Sandals of Jesus; Antiquity - The Copts; Greece; The Etruscans; Rome; The Gallo-Romans; The Byzantine empire; The Middle Ages; The Legend of Saint Crispin and Saint Crispinian; The Renaissance; 17th century; 18th century; 19th century; Shoes and Poverty; From shoemaker to head of a company; The Shoe in the 20th century 327 $aShoemakers of Yesterday and Today; Hellstern; Pierre Yantorny; The Most Expensive Shoes in the World; Andre? Perugia,; Last of the Great Renaissance Artists, First of the Moderns; Ferragamo; Alfred Argence; Julienne, Female Shoemaker; La Maison Massaro; A Shoemaking Dynasty; Sarkis Der Balian; The Immortal Shoemaker; Berluti; Three Generations of Artists; Roger Vivier; Couturier of the Shoe; Franc?ois Villon (1911-1997); Andrea Pfister; Happy Feet; The rise of the Shoe Industry Romans is the city of fine shoes; The two great names of the 20th century:; Joseph Fenestrier; Robert Clergerie 327 $aCharles Jourdan; From a workshop on Co?te Macel (Butchers' Hill) in Romans to the Empire State Building in New York; John Lobb; Weston; Babybotte Baby Booties; Pompei?, Shoemaker for the Stage and Screen; The Pompei? workshop was a family affair; Le Salon Midec; International Footwear Fashions; The C.I.D.I.C. Grant; Shoes from Around the World; The Ottoman Empire; Persia; India; China; North America; Shoes Worn by Celebrities; Shoe of Henry II de Montmorency; Madame de Pompadour's Shoes; Or the triumph of the heel under Louis XV; The Shoe of Marie-Antoinette; Shoes of Saint-Jean-Marie Vianney, 327 $aParish Priest of Ars; Goethe's Slippers; Sissi's Shoes; Shoes of the Countess of Castiglione; (Florence 1837-Paris 1899); Shoes Worn by Louis Pasteur; Ankle Boots of La Belle Ote?ro,; a Belle Epoque Beauty; Boots Worn by Opera Singer Ninon Vallin; Once upon a time, there was a voice: "Ma?rouf, the Shoemaker of Cairo"; Shoes Worn by Maurice Chevalier; "The Symphony of the Wooden Soles"; Shoes Worn by Charles Trenet; "Y a d'la joi!" ("Life is good!"); Studio Shoes Worn by Ce?sar (1921-1998); Donated to the International Shoe Museum, Romans, by the artist.; Shoes Worn by Jacques-Henri Lartigue 327 $aPainter and photographer (1894-1986); Mouna Ayoub:; The journey of a Haute Couture collector; Shoes Worn by Paul Bocuse and Pierre Troisgros; The Stories Shoes Tell; Theresa's Doll Shoes; The Well-Digger's Boots; Zoya's Shoes; Mathilde's Ankle Boots; Toine's clogs; The Shoe in Literature; The Papyrus of Herodas Mimes; Mainard - La Bruye?re - La Fontaine; Restif de La Bretonne; Chateaubriand, Atala; "The Mocassins of Chactas"; Gustave Flaubert, Salammbo; Emile Zola, Au bonheur des dames; (Ladies' Delight); Ge?rard de Nerval, Sylvie Alain Fournier, Le Grand Meaulnes; (The Wanderer); Pierre Loti, Madame Chrysanthe?me 330 $aAbandoning a French look on the subject, Mrs. Bossan, the author, develops her study with a dichotomous vision: that of time that touches the history of mankind and that of geography and sociology, which lead to an almost ethnographic analysis. The author dissects the shoe and all that surrounds it: from its history to painting and literature. After this book, it will be difficult to publish a book with a more complete treatment of the subject. Illustrated with an iconography that is exceptional both for its aestheticism and the pieces chosen, this book is a reference for historians, sociologi 410 0$aTemporis 517 3 $aShoe 606 $aShoes 606 $aShoes$xHistory 615 0$aShoes. 615 0$aShoes$xHistory. 676 $a391.413 700 $aBossan$b Marie-Josephe$01797610 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910954781103321 996 $aThe art of the shoe$94340000 997 $aUNINA