LEADER 04050nam 22008415 450 001 9910465750803321 005 20210113171536.0 010 $a1-283-15076-X 010 $a9786613150769 010 $a0-226-32800-7 024 7 $a10.7208/9780226328003 035 $a(CKB)2560000000073383 035 $a(EBL)689334 035 $a(OCoLC)721195555 035 $a(SSID)ssj0000525536 035 $a(PQKBManifestationID)12213216 035 $a(PQKBTitleCode)TC0000525536 035 $a(PQKBWorkID)10508481 035 $a(PQKB)11011655 035 $a(DE-B1597)523727 035 $a(DE-B1597)9780226328003 035 $a(MiAaPQ)EBC689334 035 $a(EXLCZ)992560000000073383 100 $a20200424h20112002 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSculpture $eSome Observations on Shape and Form from Pygmalion's Creative Dream /$fJohann Gottfried Herder 210 1$aChicago : $cUniversity of Chicago Press, $d[2011] 210 4$dİ2002 215 $a1 online resource (152 p.) 300 $aDescription based upon print version of record. 311 $a0-226-32753-1 327 $tFrontmatter -- $tCONTENTS -- $tILLUSTRATIONS -- $tACKNOWLEDGMENTS -- $tINTRODUCTION -- $tNOTE ON THE TRANSLATION -- $tPART ONE -- $tPART TWO -- $tPART THREE -- $tPART FOUR -- $tEDITOR'S NOTE -- $tBIBLIOGRAPHY -- $tINDEX 330 $a"The eye that gathers impressions is no longer the eye that sees a depiction on a surface; it becomes a hand, the ray of light becomes a finger, and the imagination becomes a form of immediate touching."-Johann Gottfried Herder Long recognized as one of the most important eighteenth-century works on aesthetics and the visual arts, Johann Gottfried Herder's Plastik (Sculpture, 1778) has never before appeared in a complete English translation. In this landmark essay, Herder combines rationalist and empiricist thought with a wide range of sources-from the classics to Norse legend, Shakespeare to the Bible-to illuminate the ways we experience sculpture. Standing on the fault line between classicism and romanticism, Herder draws most of his examples from classical sculpture, while nevertheless insisting on the historicity of art and of the senses themselves. Through a detailed analysis of the differences between painting and sculpture, he develops a powerful critique of the dominance of vision both in the appreciation of art and in our everyday apprehension of the world around us. One of the key articulations of the aesthetics of Sturm und Drang, Sculpture is also important as an anticipation of subsequent developments in art theory. Jason Gaiger's translation of Sculpture includes an extensive introduction to Herder's thought, explanatory notes, and illustrations of all the sculptures discussed in the text. 606 $aAesthetics 606 $aAesthetics 606 $aArt 606 $aArt -- Philosophy 606 $aPhilosophy 606 $aSculpture 606 $aSculpture -- Philosophy 606 $aArt$xPhilosophy 606 $aSculpture$xPhilosophy 606 $aAesthetics 606 $aVisual Arts$2HILCC 606 $aArt, Architecture & Applied Arts$2HILCC 606 $aVisual Arts - General$2HILCC 608 $aElectronic books. 615 4$aAesthetics. 615 4$aAesthetics. 615 4$aArt. 615 4$aArt -- Philosophy. 615 4$aPhilosophy. 615 4$aSculpture. 615 4$aSculpture -- Philosophy. 615 0$aArt$xPhilosophy 615 0$aSculpture$xPhilosophy 615 0$aAesthetics 615 7$aVisual Arts 615 7$aArt, Architecture & Applied Arts 615 7$aVisual Arts - General 676 $a701 700 $aHerder$b Johann Gottfried, $4aut$4http://id.loc.gov/vocabulary/relators/aut$0290444 701 $aGaiger$b Jason$0886765 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910465750803321 996 $aSculpture$91980429 997 $aUNINA