LEADER 05216oam 2200781I 450 001 9910465725803321 005 20200520144314.0 010 $a1-280-66502-5 010 $a9786613641953 010 $a0-203-12183-X 010 $a1-136-32976-5 024 7 $a10.4324/9780203121832 035 $a(CKB)2560000000082466 035 $a(EBL)957576 035 $a(OCoLC)798533324 035 $a(SSID)ssj0000700924 035 $a(PQKBManifestationID)12330937 035 $a(PQKBTitleCode)TC0000700924 035 $a(PQKBWorkID)10679187 035 $a(PQKB)10821200 035 $a(SSID)ssj0000676657 035 $a(PQKBManifestationID)11931975 035 $a(PQKBTitleCode)TC0000676657 035 $a(PQKBWorkID)10695882 035 $a(PQKB)11529143 035 $a(MiAaPQ)EBC957576 035 $a(PPN)196145775 035 $a(Au-PeEL)EBL957576 035 $a(CaPaEBR)ebr10566645 035 $a(CaONFJC)MIL364195 035 $a(OCoLC)794412224 035 $a(EXLCZ)992560000000082466 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAnalysis of 18th- and 19th-century musical works in the classical tradition /$fDavid Beach, University of Toronto, Ryan McClelland, University of Toronto 210 1$aNew York, NY ;$aAbingdon, Oxon :$cRoutledge,$d2012. 215 $a1 online resource (385 p.) 300 $aDescription based upon print version of record. 311 $a0-415-80666-6 311 $a0-415-80665-8 320 $aIncludes bibliographical references and index. 327 $aCover; Analysis of 18th- and 19th-Century Musical Worksin the Classical Tradition; Copyright; Contents; Preface; PART I: Principles of Harmony and Phrase Design; 1. A Review of Diatonic Harmony; Designation of Pitch and Chords; Tonal Functions; Common Sequential Patterns; Passing and Neighboring Chords; Functions of Individual Chords; Summary of Concepts and Terminology; Suggested Assignments; 2. Expanding the Diatonic Palette; Secondary Dominants and Diminished Seventh Chords; Chromaticized Sequences; Diatonic Modulation; Modulation from an Initial Major Key 327 $aA Summary Example: Bach, French Suite No. 5, GavotteModulation from an Initial Minor Key; A Summary Example: Bach, French Suite No. 2, Menuet; Suggested Assignments; 3. Phrase Design; Phrase Design; What is a phrase?; Phrase Construction and Combination-Part 1: The Period; Phrase Construction and Combination-Part 2: The Sentence; Phrase Construction and Combination-Part 3: Larger Period Design; Phrase Elision and Hypermeter; Phrase Elision; Hypermeter; Phrase Expansion; External Phrase Expansions; Internal Phrase Expansions; A Summary Analysis (Haydn); Suggested Assignments 327 $a4. Further Expansion of the Harmonic PaletteModal Mixture; Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth; Analysis (Beethoven); Modulation; Suggested Assignments; PART II: Analysis; 5. Binary and Rounded Binary Forms; Binary Form; Rounded Binary Form; Haydn, Symphony No. 101 in D Major (""Clock""), III; Beethoven, Piano Sonata in A, Major, op. 26, II; Brahms, Piano Sonata in F Minor, op. 5, III; Suggested Assignments; 6. Classical Sonata Form; Mozart, Piano Sonata in F Major, K. 332, I; Beethoven, Piano Trio in C Minor, op. 1, no. 3, I; Suggested Assignments 327 $a7. Sonata Form in the Nineteenth CenturyBeethoven, Piano Sonata in F Minor, op. 57, I; Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I; Suggested Assignments; 8. Ternary Form; Beethoven, Piano Sonata in D Major, op. 10, no. 3, II; Schubert, Impromptu in G Major, op. 90, no. 3; Brahms, Intermezzo in B Minor, op. 117, no. 2; Suggested Assignments; 9. Rondo Form; Rondo Form; Mozart, Piano Sonata in B Brahms, Violin Sonata in D Major, K. 333, III; Minor, op. 108, IV; Suggested Assignments; Appendix: Notes on Musical Reductions; Notes; Index of Musical Works 327 $aIndex of Names and Terms 330 $aAnalysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music-the formal, harmonic, rhythmic, and voice-leading organizations-as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms.The book begins with foundational chapters in music theory, s 606 $aMusical analysis$vTextbooks 606 $aHarmony$vTextbooks 606 $aMusical form$vTextbooks 608 $aElectronic books. 615 0$aMusical analysis 615 0$aHarmony 615 0$aMusical form 676 $a780.9/033 700 $aBeach$b David$f1938-,$0919593 702 $aMcClelland$b Ryan C. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465725803321 996 $aAnalysis of 18th- and 19th-century musical works in the classical tradition$92138295 997 $aUNINA