LEADER 03184oam 22006374a 450 001 9910465678403321 005 20211004152544.0 010 $a1-78170-298-5 010 $a1-84779-438-6 035 $a(CKB)2560000000085696 035 $a(EBL)1069684 035 $a(OCoLC)818847469 035 $a(SSID)ssj0000712717 035 $a(PQKBManifestationID)12229350 035 $a(PQKBTitleCode)TC0000712717 035 $a(PQKBWorkID)10644919 035 $a(PQKB)11394320 035 $a(StDuBDS)EDZ0000086871 035 $a(MiAaPQ)EBC1069684 035 $a(Au-PeEL)EBL1069684 035 $a(CaPaEBR)ebr10627246 035 $a(CaONFJC)MIL843705 035 $a(OCoLC)1100876065 035 $a(MdBmJHUP)musev2_78493 035 $a(EXLCZ)992560000000085696 100 $a20160813d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAlan Clarke$fDave Rolinson 210 1$aManchester :$cManchester University Press,$d2011. 210 4$dİ2011. 215 $a1 online resource (208 p.) 225 1 $aThe television series 300 $aDescription based upon print version of record. 311 $a0-7190-6831-2 311 $a0-7190-6830-4 320 $a"Television programmes directed by Alan Clarke": p. [158]-176. 320 $aIncludes bibliographical references (p. [177]-190) and index. 327 $aCopyright; Contents; General editors' preface; Acknowledgements; Introduction; 1. The director in television's'studio system'; 2. Realism and censorship in the 1970's; 3. Form and narrative in the 1980's; Conclusion; Appendix: television programmes directed by Alan Clarke; Bibliography; Index 330 $aThe British television director Alan Clarke is primarily associated with the visceral social realism of such works as his banned borstal play Scum, and his study of football hooliganism, The Firm. This book uncovers the full range of his work from the mythic fantasy of Penda's Fen, to the radical short film on terrorism, Elephant. Dave Rolinson uses original research to examine the development of Clarke's career from the theatre and the 'studio system' of provocative television play strands of the 1960s and 1970s, to the increasingly personal work of the 1980s, which established him as one of Britain's greatest directors. 'Alan Clarke' examines techniques of television direction, and proposes new methodologies as it questions the critical neglect of directors in what is traditionally seen as a writer's medium. It raises crucial issues in television studies, including aesthetics, authorship, censorship, the convergence of film and television, drama-documentary form, narrative and realism. 410 0$aTelevision series (Manchester University Press) 606 $aLITERARY COLLECTIONS$xGeneral$2bisacsh 608 $aAnthologies. 608 $aElectronic books. 615 0$aLITERARY COLLECTIONS$xGeneral. 676 $a791.4502/33092 700 $aRolinson$b Dave$0943834 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910465678403321 996 $aAlan Clarke$92130532 997 $aUNINA