LEADER 01217nam1-2200397---450- 001 990002878060203316 005 20080103103423.0 035 $a000287806 035 $aUSA01000287806 035 $a(ALEPH)000287806USA01 035 $a000287806 100 $a20070308f--------km-y0itay50------ba 101 0 $aeng 102 $aGB 105 $aa|||z|||001yy 200 1 $aFace2face 210 $aCambridge$cCambridge University Press 215 $av.$cill.$d28 cm 463 \1$1001990002862610203316$12001 $aElementary student's book 463 \1$1001990003040170203316$12001 $aPre-intermediate student's book 463 \1$1001990003040250203316$12001 $aPre-intermediate workbook without answer key 517 $aFace to face 606 0 $aLingua inglese$xTesti scolastici 676 $a428.2451 801 0$aIT$bsalbc$gISBD 912 $a990002878060203316 951 $aVII.3.D. 500/$bL.M.$cVII.3. 951 $a448.2451 RED /$bMed.$c448.2451 959 $aBK 969 $aUMA 969 $aMED 979 $aANNAMARIA$b90$c20070308$lUSA01$h1200 979 $aANNAMARIA$b90$c20070308$lUSA01$h1255 979 $aANNAMARIA$b90$c20080103$lUSA01$h1034 996 $aFace2face$9990277 997 $aUNISA LEADER 03541oam 22006254a 450 001 9910465677903321 005 20211004152545.0 010 $a1-78170-252-7 010 $a1-84779-435-1 035 $a(CKB)2560000000085693 035 $a(EBL)1069678 035 $a(OCoLC)818847458 035 $a(SSID)ssj0000712862 035 $a(PQKBManifestationID)12274051 035 $a(PQKBTitleCode)TC0000712862 035 $a(PQKBWorkID)10649758 035 $a(PQKB)10131355 035 $a(StDuBDS)EDZ0000086873 035 $a(MiAaPQ)EBC1069678 035 $a(Au-PeEL)EBL1069678 035 $a(CaPaEBR)ebr10627245 035 $a(CaONFJC)MIL843490 035 $a(OCoLC)1100840391 035 $a(MdBmJHUP)musev2_78498 035 $a(EXLCZ)992560000000085693 100 $a20160813d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTony Garnett$fStephen Lacey 210 1$aManchester :$cManchester University Press,$d2012. 210 4$dİ2012. 215 $a1 online resource (203 p.) 225 1 $aThe television series 300 $aDescription based upon print version of record. 311 $a0-7190-6629-8 311 $a0-7190-6628-X 320 $aIncludes bibliographical references (p. [177]-185) and index. 327 $aCopyright; Contents; General editors' preface; Acknowledgements; Introduction: telling the truth; 1. From actor to producer: into the driving seat; 2. The 1960's: social realism and The Wednesday Play; 3. Plays for today: representing 'managed dissensus'; 4. Independence and dependency; Appendix I:List of television plays and films; Appendix II: List of films for theatrical release; Bibliography; Index 330 $aTony Garnett is the first book-length study of one of the most respected and prolific producers working in British television. From ground-breaking dramas from the 1960s such as Up the Junction and Cathy Come Home to the 'must see' series in the 1990s and 2000s such as This Life and The Cops, Garnett has produced some of the most important and influential British television drama. This book charts Garnett's career from his early days as an actor to his position as executive producer and head of World Productions. Drawing on personal interviews, archival research, contextual analysis and selected case studies, Tony Garnett examines the ways in which Garnett has helped to define the role of the producer in British television drama. Arguing that Garnett was both a key creative and political influence on the work he produced and an enabler of the work of others, the book traces his often combative relationships with broadcasting institutions (especially the BBC). Additionally, the study discusses the films he made for the cinema and considers some of the ways in which Garnett's experiments in film technology?16 mm in the 1960s, digital video in the 1990s?have shaped his creative output. Tony Garnett will be of interest to all levels of researchers and students of British television drama, media and film. 410 0$aTelevision series (Manchester University Press) 606 $aLITERARY COLLECTIONS$xGeneral$2bisacsh 608 $aAnthologies. 608 $aElectronic books. 615 0$aLITERARY COLLECTIONS$xGeneral. 676 $a791.450233092 700 $aLacey$b Stephen$0221055 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910465677903321 996 $aTony Garnett$92130531 997 $aUNINA