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200 10$aHollywood romantic comedy$b[electronic resource] $estates of the union, 1934-65 /$fKathrina Glitre
210   $aManchester $cManchester University Press$d2006
215   $a1 online resource (207 p.)
300   $aDescription based upon print version of record.
311   $a0-7190-7079-1 
311   $a0-7190-7078-3 
320   $aIncludes bibliographical references and index.
327   $apt. I. Hollywood romantic comedy -- pt. II. Marriage -- pt. III. Equality -- pt. IV. Desire.
330   $aThis work explores the changing representation of the couple in romantic comedy, focusing on the key themes of marriage, equality and desire. It considers the three cycles of production: screwball comedy in the thirties; career woman comedy in the forties; and sex comedy in the fifties. This work analyses shifting discourses around heterosexuality, gender, romance and love; includes detailed discussion of Myrna Loy and William Powell, Katharine Hepburn and Spencer Tracy, and Doris Day and Rock Hudson; and, enables a more sophisticated understanding of the functions of such generic conventions
606   $aMotion picture industry$zCalifornia$zHollywood (Los Angeles)
608   $aElectronic books.
615  0$aMotion picture industry
676   $a791.43617
700   $aGlitre$b Kathrina$0973722
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906   $aBOOK
912   $a9910465674103321
996   $aHollywood romantic comedy$92215919
997   $aUNINA