LEADER 03427nam 2200637 a 450 001 9910465669703321 005 20200520144314.0 010 $a1-78170-091-5 010 $a1-84779-162-X 035 $a(CKB)2560000000085708 035 $a(EBL)1069592 035 $a(OCoLC)818847323 035 $a(SSID)ssj0000712876 035 $a(PQKBManifestationID)12315629 035 $a(PQKBTitleCode)TC0000712876 035 $a(PQKBWorkID)10645442 035 $a(PQKB)10178859 035 $a(SSID)ssj0001552421 035 $a(PQKBManifestationID)16171831 035 $a(PQKBTitleCode)TC0001552421 035 $a(PQKBWorkID)14812731 035 $a(PQKB)11528179 035 $a(StDuBDS)EDZ0000085719 035 $a(MiAaPQ)EBC1069592 035 $a(Au-PeEL)EBL1069592 035 $a(CaPaEBR)ebr10623361 035 $a(CaONFJC)MIL843494 035 $a(EXLCZ)992560000000085708 100 $a20090515d2008 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe wounds of nations$b[electronic resource] $ehorror cinema, historical trauma and national identity /$fLinnie Blake 210 $aManchester ;$aNew York $cManchester University Press$dc2008 215 $a1 online resource (233 p.) 300 $aDescription based upon print version of record. 311 0 $a0-7190-7594-7 311 0 $a0-7190-7593-9 320 $aIncludes bibliographical references (p. [201]-217) and index. 320 $aIncludes filmography. 327 $aGerman and Japanese horror : the traumatic legacy of the Second World War. The horror of the Nazi past in the reunification present : Jo?rg Buttgereit's Nekromantiks ; Nihonjinron, women, horror : post-war national identity and the spirit of subaltern vengeance in Ringu and The ring -- The traumatised 1970s and the threat of apocalypse now. 'Consumed out of the good land' : George A. Romero's horror of the 1970s ; All hail to the serial killer : America's last frontier hero in the age of Reaganite eschatology and beyond -- From Vietnam to 9/11 : the orientalist other and the American poor white. 'Squealing like a pig' : the War on Terror and the resurgence of hillbilly horror after 9/11 -- New Labour new horrors : the post-Thatcherite crisis of British masculinity. Zombies, dog men and dragon : generic hybridity and gender crisis in British horror of the new millennium. 330 $aThe wounds of nations explores the ways in which horror films allows international audiences to deal with the horrors of recent history - from genocide to terrorist outrage, nuclear war to radical political change. Far from being mere escapism or titillation, it shows how horror (whether it be from 1970's America, 1980's Germany, post-Thatcherite Britain or post-9/11 America) is in fact a highly political and potentially therapeutic film genre that enables us to explore, and potentially recover from, the terrors of life in the real world. Exploring a wide range of stylistically distinctive and... 606 $aHorror films$xHistory and criticism 608 $aElectronic books. 615 0$aHorror films$xHistory and criticism. 676 $a791.436164 700 $aBlake$b Linnie$0923571 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465669703321 996 $aThe wounds of nations$92072471 997 $aUNINA