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101 0 $aeng
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181   $ctxt
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200 10$aState of play$eContemporary 'high-end' TV drama /$fRobin Nelson
210  1$aNew York :$cDistributed exclusively in the USA by Palgrave,$d2007.
210  4$dİ2007.
215   $a1 online resource (233 p.)
300   $aDescription based upon print version of record.
311   $a0-7190-7311-1 
311   $a0-7190-7310-3 
320   $aIncludes bibliographical references (p. [214]-218) and index.
327   $aIntroduction : aims, scope, methods, and standpoints -- Mapping the territory, blurring the boundaries -- Distinctive product : three kinds of quality : The Sopranos, Shooting the past, Shameless -- State of play : the TV drama industry : new rules of the game -- Pushing the envelope : "edgy" TV drama, Queer as folk, Sex and the City, Carniva?le -- Techniques, technologies and cultural form -- Between global and national : 24 and Spooks, Buried and Oz -- "Quality TV" in context -- Singularity sustained : Blackpool, Casanova, State of play.
330   $aRobin Nelson's State of play up-dates and develops the arguments of his influential TV Drama In Transition (1997). It is equally distinctive in setting analusis of the aesethetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing ""the great value shift from conduit to content"" (Todreas, 1999), Nelson is relatively optimistic about the future quality of TV Drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, Nelson recognizes that certain ty
608   $aElectronic books. 
676   $a791.456
700   $aNelson$b Robin$f1949-$01032400
801  0$bMdBmJHUP
801  1$bMdBmJHUP
856   $ahttps://ebookcentral-proquest-com.salford.idm.oclc.org/lib/salford/detail.action?docID=1069553
906   $aBOOK
912   $a9910465669003321
996   $aState of play$92491636
997   $aUNINA