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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aHumphrey Jennings /$fKeith Beattie
210   $aManchester, U.K. ;$aNew York $cManchester University Press ;$aNew York $cDistributed exclusively in the USA by Palgrave Macmillan$d2010
215   $a1 online resource (184 p.)
225  0$aBritish film makers
300   $aDescription based upon print version of record.
311   $a1-84779-727-X 
311   $a0-7190-7855-5 
320   $aIncludes bibliographical references and index.
320   $aIncludes filmography (p. [145]-153).
327   $aModernity, myth, colour and collage : the early films -- Work and leisure : Spare time -- Sound, image and nation : Words for battle and Listen to Britain -- Documentary reconstruction and prognostication : Fires were started and The silent village -- "What will befall Britain?" : A diary for Timothy -- An ambiguous national iconography : Family portrait -- Legacies.
330   $aHumphrey Jennings has been described as the only real poet that British cinema has produced. His documentary films are remarkable records of Britain at peace and war, and his range of representational approaches transcended accepted notions of wartime propaganda and revised the strict codes of British documentary film of the 1930's and 1940's. Poet, propagandist, surrealist and documentary film maker - Jennings' work embodies an outstanding mix of startling apprehension, personal expression and representational innovation. This book carefully examines and expertly explains the central components
410  0$aBritish film makers.
608   $aElectronic books.
676   $a791.43023092
700   $aBeattie$b Keith$0956849
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801  1$bMiAaPQ
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906   $aBOOK
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996   $aHumphrey Jennings$92167196
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